Amazing Temples
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Temples across India....their Stories, their Speciality.....their Uniqueness....and More
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Mata Shikari Devi Temple
Janjaihali valley
Karsog
Himachal Pradesh
I read this review of Empuran and was shocked. Copying and pasting. *The Day My Heart Broke at the Theatre*

I’ve always called myself a hardcore *@Mohanlal* fan. Not just a fan—an admirer, a worshipper of his art, his screen presence, his humility. His films have been my escape, my joy, and my pride as a Malayali and as a Hindu. So naturally, March 27th was a date I had circled in my heart—the day Empuraan would hit the theatres.

I walked into the hall with excitement coursing through my veins, just like every other time a Mohanlal film released. The lights dimmed. The familiar rush of anticipation filled the air. I leaned back in my seat, ready to be enthralled.

But what followed in the next fifteen minutes shattered me.

The film begins with a disclaimer: “All characters and incidents are fictional.” But then comes a scene from 2002—a Muslim village being burned down. Amid the chaos, a little Muslim boy crying out for his father is brutally beaten to death by a Hindu man. I sat frozen. My heart pounded, not with thrill, but with confusion.

The scene changes. Some of the Muslim villagers, terrified and bloodied, seek shelter in a Hindu home. But instead of compassion, they’re met with horror. Hindu men, supposedly their saviors, turn into beasts. And in the most gut-wrenching moment, a Hindu man is shown raping a pregnant Muslim woman.

I felt sick. Not because the scene was intense, but because of what it was trying to say. Why? Why this portrayal? Why this narrative?

As the film progresses, the attack isn’t just on individuals—it’s on ideals. A major political party merging with a pro-Hindu one is depicted as a catastrophe, a threat to Kerala’s culture and ethos. The villain from this so-called pro-Hindu party declares that Kerala’s 600 km coastline could be used for smuggling drugs and psychotropic substances.

What was @PrithviOfficial trying to prove? And more painfully, why was @Mohanlal a part of this conspiracy?

This isn’t just creative liberty. This feels like an ideological attack. A carefully crafted piece that paints Hindus as savages, nationalists as villains, and the idea of political assertion by Hindus as something dangerous.

I walked out of that theatre with a heavy heart and trembling hands. A part of me still couldn’t believe what I had just watched.

Mr. @Mohanlal, this hurts. This is betrayal.

I’ve always known @PrithviOfficial’s political leanings. His ideological slant was evident in many of his past works. But you? You were above all that. You were someone we believed in. Someone we looked up to. A symbol of balanced thought and respect for all.

But now, that image is broken. Shattered.

This will be the last Mohanlal movie I ever watch. And I say that with a lump in my throat. I never imagined that the man I adored would be part of a film that demonizes the very faith I was born into. That subtly mocks the people I call my own. That slanders the leaders I trust—@narendramodi, @BJP4India—and every Hindu who dares to speak up.

Let the world remember this: *Hindus have never been the instigators of riots. What has happened in the past has always been a reaction to relentless provocation and cowardly attacks from those who claimed a holy cause. And yet, you’ve chosen to paint us with the darkest of brushes.*

Mr. @Mohanlal, you’ve stooped to a level I never thought possible. You let your name, your legacy, and your art become a weapon against your own people.

Shame on you.

Today, I didn’t just watch a movie. I watched my faith, my beliefs, and my fandom burn—just like that village in your film. And from those ashes, rose a heartbreak that I’ll never forget.

See for yourself! The theatre was completely empty.

(*Abhijith Radhakrishnan Nair* on x
Sri Kodanda Ramaswamy Temple, East Godavari, Andhra Pradesh
There are huge gopurams in this temple. The East Gopuram is 170 feet high, the West Gopuram is 200 feet high. The temple is situated in an area of 16 acres.
The Gopuram looks like it is touching the sky from the 9th floor.. Every floor of the Gopuram has sculptures from the Ramayana sculpted
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Bugga Ramalingeshwara Temple, Tadipatri, AP
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*Jal Narayan is open air temple belongs to Lord Vishnu lies below the Shivapuri Hill 8 km north from Kathmandu. Jal Narayan, locally also known as Budhanilkantha temple, is a large statue of Lord Vishnu reclining on the coils of the serpents 'Shesh Nagas' in the pool of water.*
Registration for the Amarnath Yatra 2025 has begun. According to the Shri Amarnathji Shrine board, the pilgrimage will be held from July 3 to August 9 this year, and devotees can register online.
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Arunachaleswarar Temple.

Situated at the foot of Tiruvannamalai Hills and spread over 25 acre, Arunachaleswarar Temple is an imposing structure with a marvellous architecture. It boasts 4 huge gopurams.