Le Corbusier and the Occult by J. K. Birksted uncovers the hidden influences behind Le Corbusier’s architecture, long concealed by the architect himself. Drawing on newly discovered archives, the book reveals how Le Corbusier’s early life in La Chaux-de-Fonds—shaped by Masonic ideas of rectitude and exactitude—deeply informed his modernist vision. By exposing these occult and philosophical roots, Birksted reinterprets Le Corbusier’s legacy and sheds new light on the enigmatic foundations of one of the 20th century’s most influential architectural thinkers.

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Traces the modern architect's career, and examines his view of truth and the human condition as evidenced in his architectural designs, paintings, and writings.

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This is the first book to give such close attention to Le Corbusier's approach to the making of buildings. It illustrates the ways in which Le Corbusier's details were expressive of his overall philosophical intentions. It is not a construction book in the usual sense- rather it focusses on the meaning of detail, on the ways in which detail informs the overall architectural narrative of a building. Well illustrated and containing several specially prepared scaled drawings it acts as timely reminder to both students and architects of the possibilities inherent in the most small scale tectonic gestures.

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Originally published in Germany in 1968, this first comprehensive and critical survey of Le Corbusier’s life and work soon became the standard text on the architect and polymath. French, Spanish, English, Japanese and Korean editions followed, but the book has now been out of print for almost two decades. In the meantime, Le Corbusier's archives in Paris have become available for research, resulting in an avalanche of scholarship. Von Moos’ critical take and the basic criteria by which the subject is organized and historicized remain surprisingly pertinent in the context of this recent jungle of Corbusier studies. This new, completely revised edition is based on the 1979 version published in English by the MIT Press but offers a substantially updated body of illustrations. Each of the seven chapters is supplemented by a critical survey of recent scholarship on the respective issues. An updated edition of this acclaimed book, an essential read for students of architecture and architectural history.

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One of our most popular titles, Anchoring presents New Yorkarchitect Steven Holl's projects from 1975 to the present. Among the worksfeatured are Void Space/Hinged Space Housing, Fukuoka; School ofArchitecture, University of Minnesota; Pace Showroom, New York; StrettoHouse, Dallas; and the Berkowitz House, Martha's Vineyard.

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The Herning Museum of Contemporary Art (HEART) in Herning, Denmark, inhabits a new building designed by renowned American architect Steven Holl, who was drawn to the project by the institution's collection of works by the Italian Conceptual artist Piero Manzoni. In 1960, shirt-factory owner Aage Damgaard invited Manzoni to Herning, and the industrialist's passion for contemporary art gave rise to a visionary model for cooperation between businesses and artists that ultimately led to the establishment of a new museum. As detailed in this richly illustrated book, Holl's complex museum is surrounded by a landscape of hills and ponds that meshes with his structures; the single-story building itself, with its natural light and innovative roof construction, refers to the formal vocabulary of the 1960s factory opposite. In reference to its origins, an overhead view of the museum recalls outstretched shirtsleeves while the façade resembles wrinkled fabric.

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What makes Steven Holl one of the most celebrated architects working today? As we learn in Parallax, his success comes from his sculptural form making, his interest in the poetics of space, color, and materiality, and his fascination with scientific phenomena. Holl reveals his working methods in this, his biggest and most ambitious book yet on his work-part treatise, part manifesto, and part, as Holl writes, "liner notes" to fifteen recent projects, some never before published.
Parallax traces Holl's ideas on topics as diverse as the "chemistry of matter" and the "pressure of light," and shows how they emerge in his architectural work: "strange attractors" at Cranbrook, "porosity" in his new dormitory at MIT, "tripleness" in the new Bellevue Art Museum in Washington. The result is a book that provides a personal tour of the work of one of the world's most esteemed architects.

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Idea and Phenomena offers an in-depth look at Steven Holl’s architectural work, highlighting his sculptural approach, sensitive use of materials, and mastery of light. The book explores key projects like the Makuhari Housing in Japan, showcasing Holl’s innovative use of movable walls and his concept of "spaces for individual life." With a distinctive interplay of curves, grids, and material contrasts—what he calls "the stone and the feather"—Holl creates emotionally resonant, site-specific buildings that embody spiritual depth and architectural precision.

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