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Originally published in Germany in 1968, this first comprehensive and critical survey of Le Corbusier’s life and work soon became the standard text on the architect and polymath. French, Spanish, English, Japanese and Korean editions followed, but the book has now been out of print for almost two decades. In the meantime, Le Corbusier's archives in Paris have become available for research, resulting in an avalanche of scholarship. Von Moos’ critical take and the basic criteria by which the subject is organized and historicized remain surprisingly pertinent in the context of this recent jungle of Corbusier studies. This new, completely revised edition is based on the 1979 version published in English by the MIT Press but offers a substantially updated body of illustrations. Each of the seven chapters is supplemented by a critical survey of recent scholarship on the respective issues. An updated edition of this acclaimed book, an essential read for students of architecture and architectural history.

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One of our most popular titles, Anchoring presents New Yorkarchitect Steven Holl's projects from 1975 to the present. Among the worksfeatured are Void Space/Hinged Space Housing, Fukuoka; School ofArchitecture, University of Minnesota; Pace Showroom, New York; StrettoHouse, Dallas; and the Berkowitz House, Martha's Vineyard.

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The Herning Museum of Contemporary Art (HEART) in Herning, Denmark, inhabits a new building designed by renowned American architect Steven Holl, who was drawn to the project by the institution's collection of works by the Italian Conceptual artist Piero Manzoni. In 1960, shirt-factory owner Aage Damgaard invited Manzoni to Herning, and the industrialist's passion for contemporary art gave rise to a visionary model for cooperation between businesses and artists that ultimately led to the establishment of a new museum. As detailed in this richly illustrated book, Holl's complex museum is surrounded by a landscape of hills and ponds that meshes with his structures; the single-story building itself, with its natural light and innovative roof construction, refers to the formal vocabulary of the 1960s factory opposite. In reference to its origins, an overhead view of the museum recalls outstretched shirtsleeves while the façade resembles wrinkled fabric.

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What makes Steven Holl one of the most celebrated architects working today? As we learn in Parallax, his success comes from his sculptural form making, his interest in the poetics of space, color, and materiality, and his fascination with scientific phenomena. Holl reveals his working methods in this, his biggest and most ambitious book yet on his work-part treatise, part manifesto, and part, as Holl writes, "liner notes" to fifteen recent projects, some never before published.
Parallax traces Holl's ideas on topics as diverse as the "chemistry of matter" and the "pressure of light," and shows how they emerge in his architectural work: "strange attractors" at Cranbrook, "porosity" in his new dormitory at MIT, "tripleness" in the new Bellevue Art Museum in Washington. The result is a book that provides a personal tour of the work of one of the world's most esteemed architects.

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Idea and Phenomena offers an in-depth look at Steven Holl’s architectural work, highlighting his sculptural approach, sensitive use of materials, and mastery of light. The book explores key projects like the Makuhari Housing in Japan, showcasing Holl’s innovative use of movable walls and his concept of "spaces for individual life." With a distinctive interplay of curves, grids, and material contrasts—what he calls "the stone and the feather"—Holl creates emotionally resonant, site-specific buildings that embody spiritual depth and architectural precision.

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A guide to color concepts

Colors are an element of both the natural and the man-made environments. They convey messages of all kinds and perform a wide variety of functions, informing, organizing, warning. But they also serve an aesthetic purpose, affecting the statement, effect, and acceptance of objects and spaces.

While people’s reactions to color vary widely, in design questions it is still possible to establish generally valid color concepts to match the expectations of the various groups of users. This book offers a guide based on a wide range of scientific findings and may be consulted as an authoritative reference by the architecture student and the professional alike.

The three editors, Dr. B. Rodeck, Prof. G. Meerwein, and F. H. Mahnke have taught for many years at the Salzburger Seminare für Farbe und Umwelt der IACC.

Guide to user-oriented color concepts
Lasting solutions

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Architectural Drawings as Investigating Devices examines how shifts in architectural representation reflect changing conceptions of audiences and design processes. Tracing key 20th- and 21st-century debates, it explores transitions from modernist perspectives (Le Corbusier, Mies van der Rohe) to post-war diagrammatic thinking (Team 10) and later conceptual approaches (Rossi, Hejduk, Eisenman, Tschumi, OMA). Emphasizing themes like modernist clarity, community, autonomy, and dynamic urbanism, the book reveals how drawings serve as tools of investigation. Based on extensive archival research, it offers valuable insights for architects, theorists, and students in architecture and related disciplines.

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Nearly every work of architecture can be characterized by specific approaches to forming and centering. An awareness of these “underpinnings” would facilitate a more informed approach to architectural design problems, as well as a deeper understanding of the central issues (and flaws) embodied by completed works of architecture. But the addressing of such topics has generally remained multifarious and diverse: more in the nature of a collection of independent issues than an overarching analytical argument. In this book, fresh looks at such issues are assembled and recast into a fully integrated narrative, based on two foundational and complementary aspects of architectural design: those that give shape and those that give focus―forming and centering.
The author uses an equally weighted interplay of discussion and diagram, with over 450 illustrations throughout the book.