Die Lichtung 林間空地
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weird wacky and energetic.可能是一個閒暇時用來探索好奇心的空間. はじめまして. (随缘更新)
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This is Water by David Foster Wallace (Full Transcript and Audio)
https://fs.blog/2012/04/david-foster-wallace-this-is-water/

常读常新。

Because here’s something else that’s weird but true: in the day-to-day trenches of adult life, there is actually no such thing as atheism. There is no such thing as not worshipping. Everybody worships. The only choice we get is what to worship. And the compelling reason for maybe choosing some sort of god or spiritual-type thing to worship–be it JC or Allah, be it YHWH or the Wiccan Mother Goddess, or the Four Noble Truths, or some inviolable set of ethical principles–is that pretty much anything else you worship will eat you alive. If you worship money and things, if they are where you tap real meaning in life, then you will never have enough, never feel you have enough. It’s the truth. Worship your body and beauty and sexual allure and you will always feel ugly. And when time and age start showing, you will die a million deaths before they finally grieve you. On one level, we all know this stuff already. It’s been codified as myths, proverbs, clichés, epigrams, parables; the skeleton of every great story. The whole trick is keeping the truth up front in daily consciousness.

Worship power, you will end up feeling weak and afraid, and you will need ever more power over others to numb you to your own fear. Worship your intellect, being seen as smart, you will end up feeling stupid, a fraud, always on the verge of being found out. But the insidious thing about these forms of worship is not that they’re evil or sinful, it’s that they’re unconscious. They are default settings.

They’re the kind of worship you just gradually slip into, day after day, getting more and more selective about what you see and how you measure value without ever being fully aware that that’s what you’re doing.
这周末去光涧实验室参加「阅读」实验时买的小册子。
以前从来没有从装载文字的“容器”角度切入去思考阅读体验的问题。Craig Mod的这篇15年发表在Aeon的文章提供了这个角度的思考,今天读来依然是毫不过时:装载文字的“容器”是非常重要的。它们塑造了文本故事的呈现状态,也塑造了读者阅读故事时的体验。如果选择了合适的书籍装订、布面装帧、裁切尺寸、纸张质地、页边距安排和印刷油墨,是可以大大增强读者与文字之间的联系的。如果做出了错误的选择,那么文字的载体就可能成为阻碍读者亲近文字的隔阂。

有趣的一点是这篇文章我早前阅读过原版,当时是在电脑上看的,看完后并没有留下深刻的印象,读完之后没多久就忘了。
这次在线下重新遇到「它」的时候很惊喜,文字的容器变了,阅读体验大大提升,也再次印证了了作者的观点,装载文字的容器很重要,而这些细节都是我们很常忽视的地方。
中文版阅读入口:https://www.jiemian.com/article/3093745.html
英文版阅读入口: https://aeon.co/essays/stagnant-and-dull-can-digital-books-ever-replace-print
https://noahpinion.substack.com/p/interview-marc-andreessen-vc-and "It can sometimes feel that all the exciting things have already happened, that the frontier is closed, that we’re at the end of technological history and there’s nothing left to do but maintain what already exists. This is just a failure of imagination. In fact, the opposite is true. We’re surrounding by rotting incumbents that will all need to be replaced by new technologies. Let’s get on it."
Once you notice it, you start seeing it everywhere.
How a VR Museum Will Tell LGBTQ+ Stories — The Information
https://www.theinformation.com/articles/how-a-vr-museum-will-tell-lgbtq-stories

The first LGBTQ+ virtual reality museum will open next month. The museum is the brainchild of Antonia Forster, a Unity developer who wanted to create a space where queer stories can be told in more immersive, expressive, and personal ways
https://www.historytoday.com/archive/out-margins/non-essential-freedoms

//It feels increasingly difficult to access forms of historical material which haven’t been diligently curated for your good, filtered into bland homogeneity to suit some corporation’s agenda. By comparison, the mild anarchy of those tottering book piles came as a relief. What a pleasure to be trusted to exercise choice and judgement, just left to get on with it, rather than being told what you ought to want. After a year of surveillance and constraint, that finally felt something like freedom.//