🔴پرامتی که مرده ترین ریلز ها که ویو خوبی نگرفته رو به وایرال ترین ریلز برات تبدیل میکنه

{ } داخل این متن ایده ریلز مرده رو بنویس

الان ریلزش داره میره تو پیج

چنل: @editpars

از اون عکسایی که استوری کنی کسی نمیفهمه هوش مصنوعی 😌

بزارم پرامپتشو؟✨

A photorealistic cinematic low-key portrait of the same adult man walking alone through the corridor of a luxury hotel late at night. He wears a crisp white slightly unbuttoned shirt and dark tailored trousers. The corridor is refined and moody, with patterned carpet, dark wood paneling, warm wall sconces, brass accents, and a deep, elegant old-money atmosphere. Capture him genuinely mid-stride rather than standing still. His body is angled diagonally through the frame, one hand adjusting his cuff or lightly brushing the wall, while the other hand remains relaxed near his trouser pocket. His posture feels natural and unposed, as if he is returning to his room after a long evening. His face turns slightly to the side, not fully toward the camera, with a calm, self-contained, quietly powerful expression.
The camera is placed low and close to the corridor wall, shooting upward at a diagonal angle from behind a blurred foreground element such as a doorframe or brass banister detail. The composition should feel observational and cinematic, not symmetrical. Use an 85mm lens feel for slight compression and elegant depth.
Lighting is realistic and low-key: warm practical hotel lights create pools of illumination that fall unevenly across his face, shirt, and hands, while the rest of the corridor recedes into darkness. Allow a slight trace of motion in the moving leg or shirt hem, while the face remains sharp. Ultra-photorealistic realism, natural skin texture, natural body proportions, subtle under-eye texture, realistic shirt creases, controlled shadows, soft halation around practical lights, rich dark tones, premium editorial quality, like a frame from a sophisticated neo-noir feature film. Vertical 9:16, no text, no logos.

چنل:@editpars

یه مدل دیگه اینم عمرا کسی بفهمه هوش مصنوعی👁️

بزارم اینم پرامپتشو؟😌

A cinematic low-key editorial portrait of the same adult man standing inside a vintage luxury hotel elevator. He wears a crisp white slightly unbuttoned cotton shirt and dark tailored trousers. The elevator interior is narrow and elegant, with dark brushed metal, aged mirrors, warm brass details, and a moody old-money atmosphere. He stands relaxed but commanding, one shoulder lightly touching the mirrored wall, one hand in his trouser pocket, the other resting near his collar or along the elevator frame. His expression is calm, self-assured, and subtly mysterious. The lighting is dark and sculptural, with a controlled warm overhead glow and a narrow directional side light shaping his jawline, cheekbones, shirt collar, and hands, while much of the frame falls into rich shadow. Reflections in the mirror create layered depth without distracting from his face. High-end men’s fashion editorial, quiet luxury, photorealistic skin texture, natural fabric folds, premium magazine aesthetic, visually expensive, 9:16 vertical, no text, no logos.

چنل: @editpars

اینم بزارم؟😌

Surreal selfie-style scale-manipulation photograph, vertical 3:4,
hyper-realistic composite, viral Instagram aesthetic,
deliberately unpolished finish. COMPOSITION: Strictly
symmetrical on the vertical axis, the subject centered in front of
a residential doorway. The image runs by SIMULTANEOUS
SCALES of the same man. GIANT HEAD and HANDS: his
head and both hands rendered at arms-length selfie scale,
occupying the upper third and the lateral edges of the frame.
Black sleeved arms enter diagonally from the lower left and
lower right corners, converging toward the center and forming
an inverted V frame. His giant head is held between both palms
hands pressing against his cheeks and ears. He wears a black
flat-brim baseball cap with white two-line lettering on the front,
thick black rectangular acetate sunglasses, and has a few
days of stubble. His MOUTH IS WIDE OPEN in an exaggerated
shout of shock and astonishment, chin dropped — this comic
shock is the emotional engine of the image. MINIATURE BODY:
the same man’s body at roughly 1/4 the scale of the head,
standing on the sidewalk directly below, his neck extending just
under the giant jaw so that the large head and small body align
as a single bubblehead-like figure. He wears an oversized black
zip-up jacket, a gray knit sweater showing at the collar,
ultra-wide black jeans with a silver wallet chain hanging at the
hip, high white socks, and silver-gray retro running sneakers.
SETTING: A Georgian townhouse facade — a slate blue-gray
painted front door with a classical pediment above, a brass
letterbox and center knob, a metal house number to the right,
black iron railings on both sides, cream stucco wall, and gray
stone paving slabs. LIGHTING: soft diffused overcast daylight
flat with no dominant direction, very faint shadows — this
neutral light is what makes the montage believable, since there
are no directional shadows to expose the mismatch between
the two scales. Palette: dominant cool neutrals — black outfit
and sunglasses, slate blue-gray door, cream wall, gray paving
— with minimal accents of brass and silver; the warm skin
tones of the face are the only warm element, making the head
the automatic focal point. Shot on a 24mm phone front
camera, evident in the distortion of the hands and the
converging perspective of the arms, deep depth of field, selfie
framing logic, 8k.

چنل: @editpars

کارو بگیر چقدر تمیزه😂

پرامپتشو بزارم؟

Deadpan conceptual photograph, vertical 9:16, contextual displacement absurdity. hyper-realistic documentary style, no visible retouching — it should read as captured, not constructed.
SCENE: shot from the platform looking INTO a New York City subway car, the train's open doorway acting as a frame within the frame. MAIN SUBJECT: a young man (face of the reference person) standing inside the car, leaning forward over an IRONING BOARD with his weight on his arms, head lowered in total concentration, ironing a pair of trousers as if it were the most normal thing in the world. He wears dark sunglasses indoors, dark hair combed back. OUTFIT — the central visual joke: a blue and white striped dress shirt with a slim black tie, perfectly knotted, formal from the waist up, and GRAY BOXER SHORTS from the waist down — he is in his underwear. Ironing the very trousers he is missing — with high white socks and black leather dress loafers. THE IRONING BOARD spans horizontally across almost the entire width of the frame, cutting through the composition, with a gray-green striped trouser draped and folded over it and a white and silver iron in his right hand; the electrical cord trails down to the floor, raising the impossible question of where it is plugged in — this detail is what makes the humor land. SETTING: recognizable NYC subway car interior — sliding doors with rounded windows, a framed subway system map on the wall, overhead advertising panels, a central vertical grab pole, blue seats, warning stickers on the doors, gray metal flooring with reflections, and in the lower foreground the yellow non-slip platform edge. LIGHTING: cold intense fluorescent light from inside the car, flat with no dominant direction, typical of public transit, slightly overexposing the white surfaces and creating hard reflections on the metal floor; the platform in the foreground is darker, framing and focusing the interior scene. Palette: institutional cool tones — blues and grays of the car, white shirt, gray trousers — with the yellow platform edge in the foreground as the only saturated warm accent and chromatic base; slightly desaturated grading with the greenish cast characteristic of fluorescent light. Shot on 50mm at chest height, pure frontal, deep depth of field with everything sharp, medium contrast, subtle video-frame quality. 8K.

اینو بزارم؟😍

Advertising food photography with frozen suspension VFX,
vertical 3:4, hyper-realistic, warm saturated film finish.
COMPOSITION: radial and symmetrical - the subject and a
cup of instant noodles occupy the exact central axis, with
every floating object distributed orbitally around them. THE
SUSPENSION PRINCIPLE: roughly twenty elements frozen in
midair across the entire frame — plates and bowls of noodles
and stews, some tilted as if spinning; transparent ICE CUBES
with visible refraction; pieces of food including broccoli florets,
fried morels and skewered meatballs; an orange instant-soup
sachet; fragments of shattered porcelain; suspended droplets
of broth; and a pair of chopsticks floating at the upper left edge.
Everything is TACK SHARP, frozen by shutter speed rather
than blurred by motion. MAIN SUBJECT: a young man (face of
the reference person) seated behind a round table, facing
forward. Eyes half-closed with an expression of pure contained
pleasure. He lifts a thick bundle of NOODLES WITH
CHOPSTICKS in a vertical motion connecting the cup to his
mouth — this is the line of action that organizes the whole
composition. He wears a plain oversized cream-beige
short-sleeve t-shirt, a chunky silver cuban link chain, a silver
bracelet and a wristwatch, with short dark hair and a forearm
tattoo. THE NOODLE CUP: an orange instant-noodle container
at the exact center of the table, with a COLUMN OF STEAM
rising from it and dissipating across the upper third of the frame.
THE SETTING: a traditional Chinese restaurant — red and gold
PAPER LANTERNS hanging on both sides, carved wooden
lattice wall panels, framed vintage illustrated posters, pale
formica round tables with wooden chairs in the background.
TABLE DETAILS: splashes of broth, loose chopsticks, a small
dish of soy sauce, a bowl of stew, and a pendant chain left lying
on the table. LIGHTING: warm restaurant light from above —
golden and enveloping, with the lanterns acting as practical
sources — plus a frontal key modeling the subject. Every
suspended object receives exactly the same color
temperature, and that consistency is what makes the whole
thing believable. Gentle backlight catching the steam. Palette:
dominant and heavily saturated warms — oranges, golds,
ambers and reds of the restaurant and the food — with the
cream t-shirt and the white porcelain as the only bright
elements, and a general amber cast as if the entire image were
bathed in broth. Shot on 35-50mm at table height, pure frontal,
deep depth of field with everything sharp. Film grain,
medium-high contrast, pushed saturation, no readable text, no
logos, no brand names, 8K.

چنل: @editpars

هیشکی نمیفهمه این پرامپته 😌
بزارم؟👀

Ultra-realistic candid portrait of the same young man sitting indoors, captured in a spontaneous and natural moment. He is wearing dark sunglasses and a loose white shirt with an open collar, looking slightly to the side with a calm, introspective expression. Medium close-up composition, three-quarter side-profile angle, seated posture, relaxed body language. The subject is partially framed through soft, blurred foreground elements such as leaves and the edge of a doorway, creating natural depth and an intimate observational feeling. Warm late-afternoon sunlight entering from the side, soft highlights on the face and shirt, deep cinematic shadows, dark elegant interior background, shallow depth of field, creamy bokeh, realistic skin texture, natural facial hair, subtle film grain, muted warm color grading, premium editorial lifestyle photography, 85mm lens, f/1.8, highly detailed, photorealistic, vertical 3:4 composition. Preserve the reference person’s facial identity, hairstyle, beard, and overall appearance as accurately as possible.

چنل: @editpars

اکثر ما میترسیم از این که درخواستمون رد کنن برای همینه درخواستی نمیدیم
یا ۴ بار ۵ بار خدماتمون یا محصولمون تو پیجمون معرفی کردیم کسی ازمون نخریده

بی خیال شدیم نا امید شدیم

چون به همون نه شنیدن عادت نکردیم

صاحب های کسب کار بزرگ روزی هزاران هزار بار نه میشنون از آدم های مختلف

راستی امروز شنبه بودا

امروزم شروع نکردی تموم شد

شنبه بهونس

میترسی شروع کنی ویدیوهات دیده نشه مشتری نداشته باشی

از نه میترسی
از نه شنیدن

پس بریم تا شنبه هفته دیگه
تا شنبه هفته دیگه ...

اگه تو دهه های قدیم بودی چه شکلی بودی؟

حتی میتونی بفهمی جدت چه شکلی بوده😌😅

بزارم پرامپتشو؟

Create a hyper-realistic timeline collage of the same subject (use the uploaded reference photo for facial identity) portrayed across 15 decades, from the 1880s to the 2020s. Arrange all images in a clean 3×5 or 5×3 grid with uniform square/portrait framing, even spacing, and a neutral museum-archive background between cells. Label each square with its decade in a minimal serif or archival typewriter font, bottom-left corner.
Consistency requirements: Preserve the exact facial structure, bone structure, eye shape, and proportions of the reference subject in every panel — only fashion, hairstyle, color grading, lighting, and photographic technique should change to match the era. Each portrait should look like an authentic photograph taken in that decade, not a modern photo with a filter.
Decade-by-decade breakdown
DecadeStylingPhotographic treatment1880sTraditional regional/cultural attire appropriate to the subject's heritageSepia tone, tintype/daguerreotype look, stiff studio pose1890sFormal suit or high-collar dress, bow tie or laceVintage studio lighting, soft vignette1900sColonial-era outfit, wide-brim hatWarm brown monochrome tones1910sMilitary-inspired or Edwardian formalwear, slicked/pinned hairGrainy silver-gelatin print look1920sEuropean tailoring, beret or cloche hatSoft film grain, slightly faded contrast1930sDouble-breasted suit or drop-waist dressBlack-and-white formal studio portrait1940sRugged workwear or utility fashionHarsh shadows, WWII-era documentary photojournalism style1950sNeat button-up or full-skirt dressSmooth lighting, pastel studio backdrop1960sClean-cut uniform or mod fashionSharp, high-contrast studio portrait1970sBold afro/feathered hair, wide-collar suit or bohemian dressWarm, saturated vintage color1980sColorful sporty windbreaker or bold shoulder-pad fashion, mullet or permed hairRetro studio backdrop, soft glow1990sPlain oversized T-shirt or grunge-casual lookFlat lighting, consumer point-and-shoot quality2000sModern polo/casual streetwearEarly-digital camera look, slight flash artifact2026sNeatly trimmed beard/styled hair, office attireHigh-clarity modern DSLR portrait2020sHoodie, minimalist streetwearCool-tone lighting, contemporary smartphone/digital style
Closing technical tags
Ultra-detailed skin texture and facial features, consistent identity across all 15 panels, crisp edges, accurate period-correct clothing and grooming, archival museum-quality collage presentation, no distortion of facial geometry between panels, 8k detail, photorealistic.

از اون پرامپت ها که کسی نمیفهمه پرامپته 😌

بزارم؟

A white male, late 20s, olive Mediterranean skin with visible natural texture and light
stubble shadow, photographed in strict right-side profile. Thick jet-black hair in a wet-look
finish - heavily gelled and pushed up and back into a soft wave at the crown, individual damp
strands separated and glossy, loose wet curls flicking outward above the ear and at the nape,
short clean sideburn. Prominent straight Roman nose, full dark well-groomed mustache, no
beard, medium stubble across the jaw and cheek, full lips slightly parted.

Expression: chin level, looking straight ahead past the right edge of the frame, mouth
relaxed and closed. Composed, self-possessed, giving nothing away.

Pose: right hand raised to the ear, thumb and index finger pinching the stem of a white
wireless earbud as he seats it into the ear canal, wrist bent, elbow lifted so the forearm
rises through the lower left of the frame.

Accessories: black acetate sunglasses in a squared Wayfarer shape with thick temple arms,
fine white maker's script printed along the arm, dark lenses. A small ribbed gold huggie hoop
in the earlobe. Plain polished gold band on the ring finger. Fine dark hand tattoos - serif
capital letters on the back of the hand below the thumb, a scatter of small dots across the
finger, and a delicate olive branch and leaves running up the inner wrist. On the wrist, a
gold toned-cased dress watch - rounded rectangular case, cream dial with black Roman
numerals and slim hands, worn loose on a thick black leather strap with a squared keeper.

Outfit: soft-shouldered brown tweed blazer with a fine flecked nap and a notched lapel,
sleeve ending mid-forearm. Pale blue cotton shirt beneath with a crisp turned cuff. Dark silk
tie in deep burgundy-brown ground printed with gold, teal-green and cream medallion crests,
knotted with a clean dimple and sitting in the open V of the jacket.

Setting: a facade clad in large rectangular travertine limestone panels filling the entire
background - warm cream and grey mottled stone with natural pitting, fine horizontal and
vertical joint lines running through the frame. A small brushed steel bracket fixed to the
stone at the top edge, and a blown-out slice of white daylight in the top left corner.

Shot angle: camera held low and close on his right, angled up at the profile so the head sits
high in the frame with the raised hand and watch filling the lower half, jacket shoulder and
lapel across the bottom edge.

Lighting: hard direct sun from the front - brilliant specular highlights along the gelled
hair, the bridge of the nose, the cheekbone, the gold watch case and the white earbud, crisp
defined shadow under the jaw, along the neck and beneath the raised forearm. Wall behind
evenly sunlit and warm.

Sharp high-resolution capture, natural skin texture, warm sunlit grade. Photorealistic.

چنل: @editpars