Late night Shōwa
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oriental love story
японский 20 век: курьёзные случаи/музыка/литература/кино/игры/Мисима/мемы
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Robert V. Mosier, 1946-1947
着物姿の2人の女性(後ろ姿) (場所不詳)
4人の子どもと富士山 (山梨県山中湖畔)
The images, taken by the staffer at the central secretariat of the Supreme Commander of the Allied Powers who was stationed in Japan after the war, are among very few color photos of Japan that remain from that period.

Experts believe the photographs are “important materials that show how (Japan) began rebuilding itself after the war.”

Scenes they depict include food shortages, with one photo showing the inner moat of Nagoya Castle being used for farming. In another photo, a row of movie posters shows the type of entertainment available to the public after the end of the war.
A picture taken in 1946 or 1947 shows the inner moat of Nagoya Castle being used for farming, one sign of acute food shortages in the immediate postwar years.
Japanese White-eye and Titmouse on a Camellia Branch, Utagawa Hiroshige (1797–1858)
Woodblock print; ink and color on paper
Hito mushiro
chiru ya hikage no
aka tsubaki

(над одинокой циновкой
трепеща в лучах солнца
цветёт камелия)
The Kiso Mountains in Snow
dated 8th month of the Snake year, 1857, Utagawa Hiroshige (1797–1858)
Triptych of woodblock prints; ink and color on paper
Nintendo's original headquarters in the Kyoto Prefecture in 1889
Nintendo was founded as Yamauchi Nintendo (山内任天堂) by Fusajiro Yamauchi on September 23, 1889. Based in Kyoto, Japan, the business produced and marketed hanafuda (playing cards). The name "Nintendo" is commonly assumed to mean "leave luck to heaven", but there are no historical records to validate this assumption. The cards, which were all handmade, soon began to gain in popularity, and Yamauchi had to hire assistants to mass-produce cards to keep up with the demand.
Narcissus, Tsuchiya Koitsu (1870-1949), circa 1930
Watercolor on paper (ukiyo-e)
Suisenya
samuki miyako no
kokokashiko

(нарциссы
расцвели в холодной столице
и там и тут)
страшно обожаемый мною
Анри Картье-Брессон, Киото, 1965
Желатиносеребряная фотография (отпечатана позднее)
Suzuki Seijun outtakes from Taishō trilogy: Heat Shimmer Theatre, Branded to Kill, A Tale of Sorrow and Sadness
Evening Bell at Mii-dera Temple, circa 1834; Utagawa Hiroshige (1797–1858)
Woodblock print (nishiki-e); ink and color on paper