https://en.m.wikipedia.org/wiki/The_Breakers

The Breakers is a Gilded Age mansion located at 44 Ochre Point Avenue, Newport, Rhode Island, US. It was built between 1893 and 1895 as a summer residence for Cornelius Vanderbilt II, a member of the wealthy Vanderbilt family.

The 70-room mansion, with a gross area of 138,300 square feet (12,850 m2) and 62,482 square feet (5,804.8 m2) of living area on five floors, was designed by Richard Morris Hunt in the Renaissance Revival style; the interior decor was by Jules Allard and Sons and Ogden Codman Jr.
The Ochre Point Avenue entrance is marked by sculpted iron gates, and the 30-foot-high (9.1 m) walkway gates are part of a 12-foot-high (3.7 m) limestone-and-iron fence that borders the property on all but the ocean side. The footprint of the house covers approximately 1 acre (4,000 m2) or 43,000 square feet of the 14 acres (5.7 ha) estate on the cliffs overlooking Easton Bay of the Atlantic Ocean.

Cornelius Vanderbilt II purchased the grounds in 1885 for $450,000 ($14.7 million today). The previous mansion on the property was owned by Pierre Lorillard IV; it burned on November 25, 1892, and Vanderbilt commissioned famed architect Richard Morris Hunt to rebuild it in splendor. Vanderbilt insisted that the building be made as fireproof as possible, resulting in a structure composed of masonry and steel trusses, with no wooden parts. He even required that the boiler be located away from the house in an underground space below the front lawn.[4]

Vanderbilt died from a cerebral hemorrhage caused by a stroke in 1899 at age 55, leaving The Breakers to his wife Alice Gwynne Vanderbilt. She outlived him by 35 years and died at the age of 89 in 1934. She left The Breakers to her youngest daughter Countess Gladys Széchenyi (1886–1965), essentially because Gladys lacked American property; in addition, none of her other children were interested in the property, while Gladys had always loved the estate.[citation needed]
In 1948, Gladys leased the high-maintenance property to The Preservation Society of Newport County for $1 per year. The Preservation Society bought The Breakers and approximately 90% of its furnishings in 1972 for $365,000 ($2.6 million today) from Countess Sylvia Szapary, Gladys's daughter, although the agreement granted her life tenancy. Upon her death in 1998, The Preservation Society agreed to allow the family to continue to live on the third floor, which is not open to the public.[7] This occupancy ended in 2018.[8

Great hall (50 ft (15 m) × 50 ft (15 m) × 50 ft (15 m)) – Over each of the six doors that lead from the Great Hall are limestone figure groups celebrating humanity's progress in art, science, and industry: Galileo, representing science; Dante, representing literature; Apollo, representing the arts; Mercury, representing speed and commerce; Richard Morris Hunt, representing architecture; and Karl Bitter, representing sculpture.

Mrs. Cornelius Vanderbilt II (Alice Claypoole Vanderbilt) and her daughters, Gladys Vanderbilt Széchenyi and Gertrude Vanderbilt Whitney, having tea in the library at The Breakers, Newport, Rhode Island, William Bruce Ellis Ranken, 1932

Library – The library has coffered ceilings painted with a dolphin, symbolic of the sea and hospitality, supported by Circassian walnut paneling impressed with gold leaf in the form of a leather-bound book. Between the ceiling and the gold paneling lies green Spanish leather embossed with gold, which continues into the library from the alcove used for cards. Inside the central library are two busts: a bronze of William Henry Vanderbilt II, the oldest child of Cornelius II and Alice, who died of typhoid at the age of 21 while attending Yale University; and a marble of Cornelius Vanderbilt II. The fireplace, taken from a 16th-century French chateau (Arnay-le-Duc, Burgundy), bears the inscription "I laugh at great wealth, and never miss it; nothing but wisdom matters in the end."

The music room
Music room – The room's open interior was used for recitals and dances. Its woodwork and furnishings were designed by Richard Van der Boyen and completed by Jules Allard and Sons. The room has a gilt coffered ceiling lined with silver and gold, as well as an elliptical ceiling molding which bears the inscription in French of song, music, harmony and melody. Around the edge are the names of well-known composers. The fireplace is of Campan marble and the tables were designed to match. Mr. Vanderbilt was known to play the violin and Mrs. Vanderbilt the piano, which is a Second Empire French mahogany ormolu mounted piano.

Materials

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• Foundation: brick, concrete, and limestone
• Trusses: steel
• Walls: Indiana limestone
• Roof: red terra cotta tile
• Wall panels: platinum leaf (eight reliefs of mythological figures only)[14]
• Other: marble (plaques), wrought iron (gates and fences)
The architect

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The Breakers was designed by Richard Morris Hunt, one of the country's most influential architects. It is regarded as a definitive expression of American Beaux-Arts architecture. Hunt's final project, it is also one of his few surviving works, and is valued for its architectural excellence. The home made Hunt the "dean of American architecture", as he was called by his contemporaries,[15] and helped define the Gilded Era in American history.

https://en.m.wikipedia.org/wiki/Marble_House

Marble House, a Gilded Age mansion located at 596 Bellevue Avenue in Newport, Rhode Island, was built from 1888 to 1892 as a summer cottage for Alva and William Kissam Vanderbilt and was designed by Richard Morris Hunt in the Beaux Arts style. It was unparalleled in opulence for an American house when it was completed in 1892.[1] Its temple-front portico resembles that of the White House.

Marble House in 1895

William A. Clark House - New York, New York

A fabulously rich entrepreneur from Montana spared no expense building this 121-room behemoth that once stood on the corner of Fifth Avenue and 77th Street in Manhattan. Completed in 1911, the house cost $7 million (that's $178,075,000 by today's standards), in large part because of the extravagant materials used to construct it. Italian marble, parts of French châteaux, and wood from England’s Sherwood Forest once graced the elaborate home, which was reduced to rubble by 1925 and replaced with a luxury apartment building.

https://en.m.wikipedia.org/wiki/William_A._Clark_House

The William A. Clark House, nicknamed "Clark's Folly",[2] was a mansion located at 962 Fifth Avenue on the northeast corner of its intersection with East 77th Street on the Upper East Side of Manhattan, New York City. It was demolished in 1927 and replaced with a luxury apartment building (960 Fifth Avenue).

Palmer Mansion - Chicago, Illinois

https://en.m.wikipedia.org/wiki/Palmer_Mansion

nce the largest private residence in Chicago, Bertha and Potter Palmer’s home was one of the first to be built on the city’s famed Gold Coast along the shores of Lake Michigan. Erected in 1885 and torn down in 1950, the Romanesque mansion featured an 80-foot central spiral staircase and a collection of masterpieces by artists like Degas and Picasso. Many of these works now reside at the Art Institute of Chicago.

Construction

At the time of the construction of the mansion, Potter Palmer was already responsible for much of the development of State Street. After the Great Chicago Fire of 1871, the buildings on State Street were destroyed, and Palmer was yet again responsible for its redevelopment.[7] Construction on the mansion began in 1882, and its exterior work was completed in 1883. However, interior decoration would continue for another two years before the building was entirely complete.

Chetwode Mansion - Newport, Rhode Island

With a white and gold interior inspired by the king's quarters at Versailles, this lavish 1903 mansion was purchased in 1934 by a young John Jacob Astor III as a home for himself and his new bride. They divorced five years later and placed the home and its contents on the auction block. The residence passed through a series of hands, then was burned and razed in 1973.

El Marisol - Palm Beach, Florida 13/15

Another lost masterpiece by Addison Mizner, this bubblegum pink Spanish Colonial Revival mansion stood on Ocean Boulevard in Palm Beach from 1920 to the 1950s. A beach house for investment banker Edward T. Stotesbury, it boasted an auditorium, a 40-car garage, and a private zoo.

Whitemarsh Hall - Wyndmoor, Pennsylvania

Edward T. Stotesbury’s Main Line home, often called the “American Versailles,” was one of the largest private homes ever built in America. Erected in 1921, the 147-room mansion was stuffed with paintings, tapestries, and sculptures, many of which later ended up in the Philadelphia Museum of Art. The building was torn down in 1980 and replaced by a townhouse development.

https://en.m.wikipedia.org/wiki/Whitemarsh_Hall


Whitemarsh Hall was a large estate located on 300 acres (1.2 km2) of land in Wyndmoor, Pennsylvania, United States, and owned by banking executive Edward T. Stotesbury and his wife, Eva.[2] Designed by the Gilded Age architect Horace Trumbauer, it was built in 1921 and demolished in 1980. Before its destruction, the mansion was the third largest private residence in the United States. Today, it is regarded[by whom?] as one of the great losses in American architectural history.

https://en.m.wikipedia.org/wiki/Caesarea

Caesarea, a city name derived from the Roman title "Caesar", was the name of numerous cities and locations in the Roman Empire:

• Caesarea, a former name of the island of Jersey in the Channel Islands
• Nova Caesarea, the Latin name applied to the colony of New Jersey, now a US state, derived from the name of the island