Forwarded from پویش ملی #نجات_بافت_تاریخی_شیراز
من، محمدمهدی کلانتری ( دبیر پویش ملی #نجات_بافت_تاریخی_شیراز ) از همه دغدغه مندان تاریخ و فرهنگ ایران دعوت می کنم که کارزار (درخواست ثبت بناهای ارزشمند در معرض تخریب بافت تاریخی شیراز) را امضا کنند و به این پویش بپیوندند.
لینک امضا در سایت کارزار:
Karzar.net/30629
پویش ملی:
#نجات_بافت_تاریخی_شیراز
Instagram: @nejate.bafte.shiraz
Telegram: t.me/nejate_bafte_shiraz
لینک امضا در سایت کارزار:
Karzar.net/30629
پویش ملی:
#نجات_بافت_تاریخی_شیراز
Instagram: @nejate.bafte.shiraz
Telegram: t.me/nejate_bafte_shiraz
NO.181
Convent Saint François / Amelia Tavella Architectes
MONASTERY, RESTORATION, EXTENSION
•
• Architects: Amelia Tavella Architectes
• Area: 1000 m²
• Year: 2021
• Manufacturers: Schuco, Terre Cuite des Launes
• Lead Architect: Amelia Tavella
• Acoustic Consulting: Acoustique & Conseil
• Structural Engineer: ISB
• Historic Building Advisor: A-C Perrot
• Economist: Ingenia
• Fluids Engineers: G2I
• City: Sainte-Lucie-de-Tallano
• Country: France
• Awards: TECU ARCHITECTURE AWARD 2022
An intervention of rehabilitation and extension leads to a reflection on the theme of conservation in a process of metamorphosis that embraces the ruin and returns it to contemporaneity.
The complex, perched in the wild Corsican landscape amidst rocks, woods, olive groves and small villages, appears as a fortress in which the passage of time and inactivity have allowed nature to freely take possession of the building, almost acting, before its resurrection, as a protective “armour” and structural support, like the roots of a fig tree that have become an integral part of the façade.
Here, the architect chose to conserve the ruins and replace the missing part of the volume with a perforated copper structure that re-proposes the sil-houette of the pre-existing building, while declaring the contemporary char-acter of the ex-novo building as the site of a cultural center (“Maison du Territoire”).
The choice of copper was justified by the material’s durability and ability to transform over time from a tactile and chromatic point of view, allowing the composition to narrate an evolving tale beyond any intent of “crystallizing” history.
The walls of the copper building, perforated with small panels that allow light to filter into the interior corridors, evoke the suggestion of a mashrabiyya – the traditional grid used in the architecture of Arab coun-tries to facilitate natural ventilation and control lighting – or of the stained-glass window of a church, with vibrant plays of light and shadow projected onto the interior stone walls.
A work that, tiptoeing in the footsteps of the past, exudes love for the place and its historical memory, for the building and its natural transformation from what it was into what it will be and into what it will one day no longer be, in the intimate conviction of impermanence as the only possible form of reality.
#France, #Corsica, #monastery, #convent, #ruin, #extention, #restoration, #rehabilitation, #moucharabieh, #mashrabiyya #copper, #cultural_center, #awards
@revitalization
Convent Saint François / Amelia Tavella Architectes
MONASTERY, RESTORATION, EXTENSION
•
• Architects: Amelia Tavella Architectes
• Area: 1000 m²
• Year: 2021
• Manufacturers: Schuco, Terre Cuite des Launes
• Lead Architect: Amelia Tavella
• Acoustic Consulting: Acoustique & Conseil
• Structural Engineer: ISB
• Historic Building Advisor: A-C Perrot
• Economist: Ingenia
• Fluids Engineers: G2I
• City: Sainte-Lucie-de-Tallano
• Country: France
• Awards: TECU ARCHITECTURE AWARD 2022
An intervention of rehabilitation and extension leads to a reflection on the theme of conservation in a process of metamorphosis that embraces the ruin and returns it to contemporaneity.
The complex, perched in the wild Corsican landscape amidst rocks, woods, olive groves and small villages, appears as a fortress in which the passage of time and inactivity have allowed nature to freely take possession of the building, almost acting, before its resurrection, as a protective “armour” and structural support, like the roots of a fig tree that have become an integral part of the façade.
Here, the architect chose to conserve the ruins and replace the missing part of the volume with a perforated copper structure that re-proposes the sil-houette of the pre-existing building, while declaring the contemporary char-acter of the ex-novo building as the site of a cultural center (“Maison du Territoire”).
The choice of copper was justified by the material’s durability and ability to transform over time from a tactile and chromatic point of view, allowing the composition to narrate an evolving tale beyond any intent of “crystallizing” history.
The walls of the copper building, perforated with small panels that allow light to filter into the interior corridors, evoke the suggestion of a mashrabiyya – the traditional grid used in the architecture of Arab coun-tries to facilitate natural ventilation and control lighting – or of the stained-glass window of a church, with vibrant plays of light and shadow projected onto the interior stone walls.
A work that, tiptoeing in the footsteps of the past, exudes love for the place and its historical memory, for the building and its natural transformation from what it was into what it will be and into what it will one day no longer be, in the intimate conviction of impermanence as the only possible form of reality.
#France, #Corsica, #monastery, #convent, #ruin, #extention, #restoration, #rehabilitation, #moucharabieh, #mashrabiyya #copper, #cultural_center, #awards
@revitalization