🍿 Mr. Irrelevant: the last pick who made it count

📆 Estreno: December 25, 2026
🎭 Género: #Drama #Sports #Biopic
✈️ Add to watchlist

David Corenswet carries this thing on pure screen presence. Classic jaw, Golden Age magnetism, the kind of face Paramount used to build careers around. Good fit for a story that needs you to believe in a guy nobody believed in.

John Tuggle was the very last pick of the 1983 NFL Draft. Dead at 25 from cancer. That is not a feel-good arc; it is a gut punch with a jersey on. Michael Shannon in the supporting cast suggests Paramount isn't playing it safe.

The real question is whether the film earns the tragedy or soft-pedals it into sports-movie wallpaper. The trailer hints at both. Cautiously on board.

🎬 Sally Field wins the Emmy. At 79. Every bit earned.

Sally Field took home Outstanding Lead Actress for Netflix's Remarkably Bright Creatures, becoming the oldest winner in her category. It looks like cozy background streaming. It isn't. Director Olivia Newman built something genuinely warm and well-crafted, and Field carries it with a precision that makes you forget she's acting at all.

Two Oscars and a near-mythic ability to make good material feel true. Netflix handed her a solid script, and she handed Netflix a masterclass.

✈️ Add to watchlist

🎬 Universal is sitting on the Elon Musk doc it paid millions for

Alex Gibney, who took on Scientology in 'Going Clear', finished a four-hour Musk portrait. Bleecker Street releases it in the US on October 16. Universal bought international rights in 2023 and is now going cold. Let's call it what it is.

Catch-and-kill logic without the clean NDA paperwork. The film exists, it has Oscar buzz, and Universal just doesn't want the phone calls that come with releasing it abroad.

Gibney has always aimed at targets who push back hard. A studio hesitating to distribute his work tells you more about the subject than any trailer could.

✈️ Add to watchlist

🍿 Brad Bird drops a single image. Again. Netflix nods approvingly.

📆 Release: December 18, 2026
🎭 Genre: #Animation #NeoNoir #SciFi
✈️ Add to watchlist

Brad Bird has been carrying Ray Gunn since before The Incredibles existed. Noir detective, retro-futurist city, aliens, Sam Rockwell on voice duty. The premise still earns the hype.

The honest caveat: passion projects age in two directions. After Ratatouille's perfection and the thinner returns since, Bird has ground to reclaim. A still image proves nothing.

🍿 The movie WB tried to bury just hit $100M

📆 Release: August 28, 2026
🎭 Genre: #Animation #Comedy
✈️ Add to watchlist

WB shelved it as a tax write-off. A scrappy distributor rescued it. Now Dave Green's hybrid courtroom comedy is at $100M global. Wile E. Coyote, unlikely box office hero.

It's uneven, and the pacing wobbles. But you feel the people who made it genuinely cared. That counts. Will Forte as the billboard lawyer is exactly right, and the Looney Tunes universe earns it.

🎬 Tom Cruise's big swing with Inarritu could land with a thud

Digger is eyeing a $20-29M domestic opening against a $130M budget. For a Cruise vehicle directed by Alejandro G. Inarritu, that's not just underwhelming. It's ugly.

The combo looked bold on paper: Inarritu doing comedy, Cruise playing a grotesque oil billionaire. But mixed reviews landed early and audiences seem genuinely unmoved. Star power can't paper over that.

✈️ Add to watchlist

🎬 Dark Matter season 2 finds the book's darkest beat, and plays it smarter

Episode 5 is where the show earns its second season. Rather than a straight lift of what Blake Crouch wrote, the adaptation re-contextualizes the source novel's most gut-punch moment for a story that has evolved well beyond its starting point.

That's the move good showrunners make. Joel Edgerton and Jennifer Connelly get material that honors the emotional weight of the book without turning it into a museum piece. Subtle is harder than faithful, and here it actually lands.

✈️ Add to watchlist

🎬 The Dave Bautista horror movie Netflix can't stop watching

M. Night Shyamalan's Knock at the Cabin is dominating Netflix charts three years after its release. A family on vacation, four armed strangers, one apocalyptic ultimatum. Shyamalan keeps it lean and suffocating for all 100 minutes.

Bautista plays Leonard, the soft-spoken ringleader. It's the best dramatic performance of his career, full stop. He makes you feel sorry for the man holding a weapon to your head.

✈️ Add to watchlist

🍿 Robert Eggers goes full wolf. It earns the hype.

📆 Release: December 25, 2026
🎭 Genre: #Horror
✈️ Add to watchlist

Robert Eggers and the werewolf myth feel like a natural fit, and the trailer proves it. Aaron Taylor-Johnson brings raw physicality, and Willem Dafoe lurking at the edge seals it.

Same Focus Features pairing as Nosferatu, co-written with Sjón. SlashFilm calls it the perfect companion piece. I buy that.

🎬 Assayas and Stewart are back. "Spiritual World" looks like the film they were always going to make again.

Olivier Assayas described the project as being "in the vein" of Personal Shopper, which tells you everything. Kristen Stewart alongside Vicky Krieps, Riley Keough, Wagner Moura, and Barbara Sukowa. That's a serious ensemble.

The Fassbinder regular Sukowa in an Assayas ghost story signals something more European, more patient. Krieps fresh off Corsage adds another layer. This won't be mainstream comfort food, and that's exactly the point.

🍿 Reacher already has a Season 6, and Season 5 isn't even finished

Prime Video renewed the show while cameras are still rolling in Toronto on the "Make Me" season. That's not a streamer hedging its bets. I like it. 💪

Alan Ritchson turned a guy who punches people into a reliable global draw, and Season 4 reportedly pulled 66 million viewers in 28 days. That puts Reacher next to 'Bosch' as Prime's longest-running scripted staple. My only worry is formula fatigue, but the one-book-per-season setup keeps it honest.

✈️ Add to watchlist

🍿 'Digger' is messy, and Cruise is why it works

📆 Release: October 2, 2026
🎭 Genre: #Comedy · #Satire
✈️ Add to watchlist

Alejandro G. Iñárritu returns to English-language filmmaking for the first time since 'The Revenant', with a "comedy of catastrophic proportions." SlashFilm's early review says his indulgences nearly sink it. That tracks. The 'Birdman' ego-trip energy is right there in the pitch. 🎬

What intrigues me is Tom Cruise as the lifeline. Since 'Tropic Thunder' we know he's game for gleeful self-parody, and an auteur with a big satirical swing needs exactly that anchor. I'm in, with one eyebrow raised.

🍿 Jackson Lamb meets Dobby, and it works

This season, Gary Oldman (Sirius Black in 'Harry Potter and the Prisoner of Azkaban') shares scenes with Lenny Rush, the 17-year-old cast as Dobby in the HBO 'Harry Potter'. Lamb ends up shielding a kid whose father was murdered. Cute coincidence, sure. 🧙

What I like is that nobody sells it as a stunt. Rush plays a frightened boy opposite the foulest spy in London, and that's a better pitch than any wand-waving. 'Slow Horses' keeps landing sharp casting without begging for attention. 🕵️

✈️ Add to watchlist

🍿 VisionQuest finally gives Vision a bounty and a bad day

📆 Release: October 14, 2026
🎭 Genre: #SciFi · #Fantasy · #Action
✈️ Add to watchlist

/Film flags that Paladin, a deep-cut comic mercenary played by Todd Stashwick, is hunting a bounty on Vision. A hired gun with no cape and no cosmic baggage is the right scale after 'WandaVision'.

Paul Bettany has carried this character through every mood Marvel could throw at him. Ojo to Terry Matalas at the helm, who knows how to land a messy legacy. I just hope Paladin gets more than one fight scene to matter 🤞

🍿 The Social Reckoning has a legs problem, and I'm not sure Sorkin cares

📆 Release: October 9, 2026
🎭 Genre: #Drama · #Biopic
✈️ Add to watchlist

Tracking points to an $8 to $13 million opening, against the $22.4 million that 'The Social Network' pulled in back in 2010. Soft for something this splashy, and it means the film lives or dies on word of mouth. 📉

Aaron Sorkin directs it himself, and Jeremy Strong and Mikey Madison are a serious pair. The October slot is shaky for an adult drama with no Fincher. This one needs critics to carry it. 🎬

🎬 Spider-Noir dies after one season, and it makes no sense

Prime Video pulled the plug on 'Spider-Noir' with 92% on Rotten Tomatoes and 11 Emmy nominations, the most of any of its shows this year. Nicolas Cage finally got his first regular TV role, and it shows he can carry a series.

My read is that it launched big but dropped out of the top 10 fast, and the price tag didn't help. Black-and-white and color versions of every episode is a gorgeous flex, just not a cheap one. That's the lesson from the 'Spider-Man: Into the Spider-Verse' era that streamers keep ignoring. Weird Spider-Man works. Weird Spider-Man at prestige-drama cost apparently doesn't. 🕷️

🎬 Endgame takes the crown back, by a hair

'Avengers: Endgame' is the highest-grossing movie ever again, edging out 'Avatar' by roughly $2 million (about $2.9255B to $2.9237B, per Deadline). A re-release pulled it off, and the timing is no accident.

I like the cheek of it. The Anthony and Joe Russo movie gets a victory lap right before 'Avengers: Doomsday' lands in December, which is smart marketing. It also feels a bit like a stat built for a headline. 🤔

James Cameron won't sit still, and his sequels and re-releases make this a seesaw. Enjoy the throne while it lasts.

✈️ Add to watchlist

🍿 Netflix just handed Sheridan's most underrated show a second life

All four seasons of Mayor of Kingstown hit Netflix on October 5, right before the final season. Taylor Sheridan co-created it, and it's the one nobody talks about next to 'Yellowstone'. 🎬

Honestly, that's a shame. Jeremy Renner as a fixer holding a prison town together is bleak, pulpy and a little overcooked, and I mean that as a compliment. It won't win awards, but 40 episodes of grim, well-oiled pulp is a very good fall binge. 🔥

✈️ Add to watchlist

🎬 Bay and Spielberg go back to Cybertron

Michael Bay is in talks to direct the next Transformers for Paramount, with Steven Spielberg overseeing the franchise's creative direction again. Bay hasn't touched it since 'The Last Knight' (2017), and the Skydance-era Paramount is clearly betting on nostalgia as a reset button. 🤖

Honestly, it intrigues me and it worries me. After the grounded charm of 'Bumblebee', going back to Bay's pyrotechnic maximalism feels like a step backward. But Spielberg as the adult in the room might be what keeps the explosions pointed at a story. Show me a script before I cheer.

🍿 Carrie ends with a door open to a bigger King world

/Film argues that Mike Flanagan has quietly soft-launched a second King universe. His 'Carrie' moves the story to the social media era and writes the bullies as people, not cartoons. Then it frames Carrie White as one link in a long line of psychic women.

That's the smart part. A shared universe built on a lineage of powers beats stitching Easter eggs together, which is how 'The Dark Tower' (2017) sank. Flanagan already proved with 'Doctor Sleep' (2019) that he can honor King and still go his own way.

Eight episodes on Prime Video, with Summer H. Howell and Samantha Sloyan. Flanagan's dream is three seasons, and no second season is confirmed yet.

✈️ Add to watchlist