Mononodes - Her (Reverse Engineered PowerGrades)

It is so refreshing to see a color palette like this for a “Sci-Fi” movie. Spike Jonze and cinematographer Hoyte Van Hoytema decided to eliminate certain colors to avoid a sci-fi reference. For the first two PowerGrades, I couldn’t quite separate the buildings from the skin tone to give them a shade of blue without breaking my rules. It was much easier in the PowerGrade “modern living” to use the Log-wheels to preserve a blue tone in the highlights.

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Mononodes - Get Out (Reverse Engineered PowerGrades)

Immerse yourself in the unique atmosphere of Get Out with carefully recreated PowerGrades for DaVinci Resolve. These colour correction styles have been reverse engineered to capture the film's distinctive visual style, from unsettling shadows to cool tones and a muted palette.

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Mononodes - Tenet (Reverse Engineered PowerGrades)

Like any other movie by Christopher Nolan the “Behind the Scenes” footage he provides as extras on Blu-ray are just amazing. The recreation was really fun to do. I did not find any Interview with colorist Kostas Theodosiou about Tenet, but I assume that the color grading was very similar to Dunkirk.

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Portra Original for Capture One & Lightroom

Mastin Labs Portra Original Presets for Lightroom create clean, warm, deep tones with glowing skin. The Portra Original pack is ideal for natural light portraits, including families, fashion, and fine art.

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Mononodes - Call Me by Your Name (Reverse Engineered PowerGrades)

Love this look. It reminds me of summer when you lay in the sun, with your eyes closed. If we see red for a long time – for example through the closed eyelids – the corresponding molecules bleach out. If you open your eyes again after a while the opposite color becomes more prominent: in this case green.

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