Hanuman Ji photographed alive.
(The story from 1998, India)
Year 1998, Mandya Karnataka, Senior Photographer Subramanya was resting in his home when suddenly a stranger came into his house and asked him for a help!! He was so tensed. Stranger handed a camera roll to subramanya and told something which shocked him!
Stranger said he and his friends along with his son went to Mansarovar for some secret mission. They were resting near a cave and suddenly they saw an intense amount of light coming out of cave. It was as bright as sun and it was almost impossible to look that light clearly with their naked eyes!!
Stranger further added that out of curiosity his son started running into the cave with his camera, everyone tried to stop him but he didn’t stopped. He entered into the cave and after few seconds that light disappeared!! Everyone ran into the cave to see if his son was okay.
But they were shocked to see that his son was mysteriously dead inside the cave!! May be he couldn't bear the intensity of the light or the energy inside the cave. But now the cave was normal, and only proof to see what was inside the cave was that camera. And that stranger wanted Subramanya to develop the photo from that camera roll.
Stranger said he will return after some days to take that photo. Subramanya thought he need any expert to develop this photo as it was quite damaged! So Subramanya called his friend Mr. Panni who was owner of Kaveri Colour Lab, Mandya Karnataka.
They both started developing the photo from camera roll! It was quite hard to develop the photo because the image contained extreme brightness! But when they successfully developed the photo thev both were shocked!!
Image was very reddish and blurry but one can clearly see the image of a monkey like figure with tail reading some sanskrit texts. They both were shocked to see this, Mr Panni developed six photos of that image.
One for himself and Five other copies for Subramanya. This time Subramanya also decided that when that stranger comes again to take the photos, he will ask him for his identity and also scold him if this was any silly prank. After few days that stranger came back!!
Stranger revealed that his name was Suryanarayana Shashtri and he was from Bangalore. And this was not any prank, he showed the pic of his dead son and started crying. He also kept one copy of that mysterious image and said that he did a mistake by challenging the unknown energy/deity.
Subramanya contacted media and told the whole story. Thus this image and story became viral in 1998. Suryanarayana Shashtri was never found again, but one day search team found his wife in Bangalore who revealed that Suryanarayana Shashtri is dead and mysteriously his wife also went missing after few days!! And she was never found again!
🙏😅 There were many varieties of stories on this topic, but we found this story to be the most popular, so we decided to post this.
• The story source is a detailed video by Tv9 Kannada.
• https://t.me/GurukuLx/32629
#JaiBajrangBali 🙏 @Hindu
(The story from 1998, India)
Year 1998, Mandya Karnataka, Senior Photographer Subramanya was resting in his home when suddenly a stranger came into his house and asked him for a help!! He was so tensed. Stranger handed a camera roll to subramanya and told something which shocked him!
Stranger said he and his friends along with his son went to Mansarovar for some secret mission. They were resting near a cave and suddenly they saw an intense amount of light coming out of cave. It was as bright as sun and it was almost impossible to look that light clearly with their naked eyes!!
Stranger further added that out of curiosity his son started running into the cave with his camera, everyone tried to stop him but he didn’t stopped. He entered into the cave and after few seconds that light disappeared!! Everyone ran into the cave to see if his son was okay.
But they were shocked to see that his son was mysteriously dead inside the cave!! May be he couldn't bear the intensity of the light or the energy inside the cave. But now the cave was normal, and only proof to see what was inside the cave was that camera. And that stranger wanted Subramanya to develop the photo from that camera roll.
Stranger said he will return after some days to take that photo. Subramanya thought he need any expert to develop this photo as it was quite damaged! So Subramanya called his friend Mr. Panni who was owner of Kaveri Colour Lab, Mandya Karnataka.
They both started developing the photo from camera roll! It was quite hard to develop the photo because the image contained extreme brightness! But when they successfully developed the photo thev both were shocked!!
Image was very reddish and blurry but one can clearly see the image of a monkey like figure with tail reading some sanskrit texts. They both were shocked to see this, Mr Panni developed six photos of that image.
One for himself and Five other copies for Subramanya. This time Subramanya also decided that when that stranger comes again to take the photos, he will ask him for his identity and also scold him if this was any silly prank. After few days that stranger came back!!
Stranger revealed that his name was Suryanarayana Shashtri and he was from Bangalore. And this was not any prank, he showed the pic of his dead son and started crying. He also kept one copy of that mysterious image and said that he did a mistake by challenging the unknown energy/deity.
Subramanya contacted media and told the whole story. Thus this image and story became viral in 1998. Suryanarayana Shashtri was never found again, but one day search team found his wife in Bangalore who revealed that Suryanarayana Shashtri is dead and mysteriously his wife also went missing after few days!! And she was never found again!
🙏😅 There were many varieties of stories on this topic, but we found this story to be the most popular, so we decided to post this.
• The story source is a detailed video by Tv9 Kannada.
• https://t.me/GurukuLx/32629
#JaiBajrangBali 🙏 @Hindu
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Hanuman Ji photographed alive.
(The story from 1998, India)
(The story from 1998, India)
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Shrimad Bhagwat Geeta (Chapter 03, Shlok 04)
न कर्मणामनारम्भान्नैष्कर्म्यं पुरुषोऽश्नुते।
न च संन्यसनादेव सिद्धिं समधिगच्छति॥ 3.04॥
na karmaṇāmanāraṃbhānnaiṣkarmyaṃ puruṣō'śnutē, na ca sannyasanādēva siddhiṃ samadhigacchati ॥
• Meaning : Not by merely abstaining from work can one achieve freedom from reaction, nor by renunciation alone can one attain perfection.
• भावार्थ : मनुष्य न तो कर्मो का आरम्भ किये बिना निष्कर्मता का अनुभव करता है और न ही कर्मो के त्याग मात्र से सिद्धि(कर्मयोग या ज्ञानयोग की) को प्राप्त होता है।
@Geeta 🙏 @Hindu
न कर्मणामनारम्भान्नैष्कर्म्यं पुरुषोऽश्नुते।
न च संन्यसनादेव सिद्धिं समधिगच्छति॥ 3.04॥
na karmaṇāmanāraṃbhānnaiṣkarmyaṃ puruṣō'śnutē, na ca sannyasanādēva siddhiṃ samadhigacchati ॥
• Meaning : Not by merely abstaining from work can one achieve freedom from reaction, nor by renunciation alone can one attain perfection.
• भावार्थ : मनुष्य न तो कर्मो का आरम्भ किये बिना निष्कर्मता का अनुभव करता है और न ही कर्मो के त्याग मात्र से सिद्धि(कर्मयोग या ज्ञानयोग की) को प्राप्त होता है।
@Geeta 🙏 @Hindu
@Geeta_HinduStuff
🕉️ सम्पूर्ण श्रीमद्भगवद्गीता (Full Shrimad Bhagwat Geeta)
🙏 सम्पूर्ण श्रीमद्भगवद्गीता, संस्कृत और अंग्रेजी भाषा में, दोनों लिखित और ऑडियो/ध्वनि प्रारूप के साथ, अनुवाद और टिप्पणी भी शामिल हैं।
🙏 (Full Shrimad Bhagwat Geeta; in Sanskrit & English language, with both written and audio format, with translation and commentary included.)
https://t.me/Geeta_HinduStuff
🕉️ सम्पूर्ण श्रीमद्भगवद्गीता (Full Shrimad Bhagwat Geeta)
🙏 सम्पूर्ण श्रीमद्भगवद्गीता, संस्कृत और अंग्रेजी भाषा में, दोनों लिखित और ऑडियो/ध्वनि प्रारूप के साथ, अनुवाद और टिप्पणी भी शामिल हैं।
🙏 (Full Shrimad Bhagwat Geeta; in Sanskrit & English language, with both written and audio format, with translation and commentary included.)
https://t.me/Geeta_HinduStuff
👍9❤4🔥2🥰1
"I am the source of all spiritual and material worlds. Everything emanates from Me. The wise who perfectly know this engage in My devotional service and worship Me with all their hearts."
~ Sri Krishna
(himself- said in Shrimad Bhagwad @Geeta)
#JaiShriKrishna ❤️ @Hindu
~ Sri Krishna
(himself- said in Shrimad Bhagwad @Geeta)
#JaiShriKrishna ❤️ @Hindu
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Maa Kheer Bhawani
Maa Kheer Bhawani or Ksheer Bhawani is a temple dedicated to the Goddess Kheer Bhavani (Maharagnya Bhagwati) constructed over a sacred spring. The temple is situated at a distance of 14 miles east of Srinagar near the village of Tulmul, (Ganderbal, Kashmir). The term kheer refers to rice pudding that is offered in the spring to propitiate the Goddess, which became part of the name of the temple. As is the custom with Hindu deities, she has many names: Maharagya Devi, Ragnya Devi, Rajni,Ragnya Bhagwati, and so on.
@Hindu
Maa Kheer Bhawani or Ksheer Bhawani is a temple dedicated to the Goddess Kheer Bhavani (Maharagnya Bhagwati) constructed over a sacred spring. The temple is situated at a distance of 14 miles east of Srinagar near the village of Tulmul, (Ganderbal, Kashmir). The term kheer refers to rice pudding that is offered in the spring to propitiate the Goddess, which became part of the name of the temple. As is the custom with Hindu deities, she has many names: Maharagya Devi, Ragnya Devi, Rajni,Ragnya Bhagwati, and so on.
@Hindu
The names of some of the most important Gopis mentioned in the Vedic scriptures are: Rādhā, Chandrāvalī, Viśakhā, Lalitā, Śyāmā, Padmā, Śaibyā, Bhadrā, Vicitrā, Gopālī, Dhanisthā, and Palikā.
• Chandrāvalī is also known as Sōmabhā, Rādhā is known as Gandharvā, and Lalitā is known as Anurādhā. Sōmabhā, Gandharvā, and Anurādhā are non-different Gopis.
• In addition to the gopis mentioned in the scriptures, there are other gopis, who although not mentioned in the original scriptures, are famous in the community of Vaiṣṇavas. Some of these important gopis are: Khanjanaksī, Manōramā, Mangalā, Vimalā, Lilā, Kṛṣṇā, Sārī, Viśāradhā, Taravālī, Cakoraksī, Sankarī, and Kumkumā. In this way there are hundreds of groups of beautiful-eyebrowed gopis, and in each group there are hundreds and thousands of charming girls.
- ‘Śrī Ujjvala-nīlamaṇi’ Book by Rupa Goswami.
@Hindu
• Chandrāvalī is also known as Sōmabhā, Rādhā is known as Gandharvā, and Lalitā is known as Anurādhā. Sōmabhā, Gandharvā, and Anurādhā are non-different Gopis.
• In addition to the gopis mentioned in the scriptures, there are other gopis, who although not mentioned in the original scriptures, are famous in the community of Vaiṣṇavas. Some of these important gopis are: Khanjanaksī, Manōramā, Mangalā, Vimalā, Lilā, Kṛṣṇā, Sārī, Viśāradhā, Taravālī, Cakoraksī, Sankarī, and Kumkumā. In this way there are hundreds of groups of beautiful-eyebrowed gopis, and in each group there are hundreds and thousands of charming girls.
- ‘Śrī Ujjvala-nīlamaṇi’ Book by Rupa Goswami.
@Hindu
Jyeshtha Gayatri Jayanti (2021)
Gayatri Jayanti is observed as the birth anniversary of Goddess Gayatri, the Goddess of Veda. Being the Goddess of all Veda, Goddess Gayatri is also known as Veda Mata.
It is believed that Goddess Gayatri is manifestation of all phenomenal attributes of Brahman. She is also worshipped as the Goddess of Hindu Trimurti. She is considered as the mother of all Gods and embodiment of Goddess Saraswati, Goddess Parvati and Goddess Lakshmi.
Gayatri Jayanti is observed on Shukla Paksha Ekadashi during Jyeshtha lunar month and it is usually observed on the next day of Ganga Dussehra. According to Matantara i.e. due to the difference of opinions to observe Gayatri Jayanti, it is also observed during Shravana Purnima. The Gayatri Jayanti during Shravana Purnima is widely accepted and usually coincides with Upakarma day.
Devotees observe Gayatri Jayanti by making special prayers to Gayatri Mata and by repeatedly chanting Gayatri Mantra.
@Gurukul 🙏 @Hindu
Gayatri Jayanti is observed as the birth anniversary of Goddess Gayatri, the Goddess of Veda. Being the Goddess of all Veda, Goddess Gayatri is also known as Veda Mata.
It is believed that Goddess Gayatri is manifestation of all phenomenal attributes of Brahman. She is also worshipped as the Goddess of Hindu Trimurti. She is considered as the mother of all Gods and embodiment of Goddess Saraswati, Goddess Parvati and Goddess Lakshmi.
Gayatri Jayanti is observed on Shukla Paksha Ekadashi during Jyeshtha lunar month and it is usually observed on the next day of Ganga Dussehra. According to Matantara i.e. due to the difference of opinions to observe Gayatri Jayanti, it is also observed during Shravana Purnima. The Gayatri Jayanti during Shravana Purnima is widely accepted and usually coincides with Upakarma day.
Devotees observe Gayatri Jayanti by making special prayers to Gayatri Mata and by repeatedly chanting Gayatri Mantra.
@Gurukul 🙏 @Hindu
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🧘♀️७वां अंतर्राष्ट्रीय योग दिवस समारोह
🧘♂️ 7th International Yoga Day Celebration
• United Nations General Assembly declared 21 June as International Yoga Day.
• 21 June is the longest day of the year in the Northern Hemisphere.
• 21 June has significance in many cultures and parts of the world.
------------------------------------------
Yog demonstration (video) by BKS Iyengar (1976)
Bellur Krishnamachar Sundararaja lyengar (1918 ~ 2014), better known as B.K.S. lyengar, was the founder of the style of yog known as "lyengar Yog" and was considered one of the foremost yog teachers in the world.
@Hindu
🧘♂️ 7th International Yoga Day Celebration
• United Nations General Assembly declared 21 June as International Yoga Day.
• 21 June is the longest day of the year in the Northern Hemisphere.
• 21 June has significance in many cultures and parts of the world.
------------------------------------------
Yog demonstration (video) by BKS Iyengar (1976)
Bellur Krishnamachar Sundararaja lyengar (1918 ~ 2014), better known as B.K.S. lyengar, was the founder of the style of yog known as "lyengar Yog" and was considered one of the foremost yog teachers in the world.
@Hindu
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🚩 Is the Hindu flag hoisted on the roof of your house ?
🚩 क्या आपके घर की छत पर हिंदू झंडा फहराया हुआ है ?
@Hindu
🚩 क्या आपके घर की छत पर हिंदू झंडा फहराया हुआ है ?
@Hindu
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Sadashiva or Pancha-mukha Shiva
Artist : Kailash Raj
This painting, rendered in the Kangra-Mandi mixed style of Pahari art as it prevailed around the early nineteenth century, roughly 1810-20, and indeed pursuing an earlier model - an exactly identically rendered painting, the same image, same colours, and same dimensions, represents Shiva with five faces and ten arms, a form manifesting him as Sadashiva. The four faces, drawn in four different colours, create a cumulative hypnotic effect, and the fifth, rendered in yet another colour and with a somewhat feminine look, the other four seem to carry in a platter, though it is indeed his coiffure, the common one for all four heads conceived to appropriately hold it. The notion of a similar coiffure for four heads, and the fifth, borne on it, was a constant characteristic of early stone sculptures; yet, this form of Sadashiva is sparsely portrayed in twodimensional painting media.
@Hindu
Artist : Kailash Raj
This painting, rendered in the Kangra-Mandi mixed style of Pahari art as it prevailed around the early nineteenth century, roughly 1810-20, and indeed pursuing an earlier model - an exactly identically rendered painting, the same image, same colours, and same dimensions, represents Shiva with five faces and ten arms, a form manifesting him as Sadashiva. The four faces, drawn in four different colours, create a cumulative hypnotic effect, and the fifth, rendered in yet another colour and with a somewhat feminine look, the other four seem to carry in a platter, though it is indeed his coiffure, the common one for all four heads conceived to appropriately hold it. The notion of a similar coiffure for four heads, and the fifth, borne on it, was a constant characteristic of early stone sculptures; yet, this form of Sadashiva is sparsely portrayed in twodimensional painting media.
@Hindu
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