🚨 When Nihilistic "Mysticism" Led to Homosexuality in Pahlavi Iran

In 1968, during the Shiraz Arts Festival, a nihilistic and blasphemous play by Abbas Nalbandian sparked the creation of the so-called Workshop Theater, spearheaded by Arby Ovanessian and supported directly by Farah Pahlavi.

🎭 This "avant-garde" group, financed by the Pahlavi court, became a hub for obscenity, nudity, homosexuality, and anti-religious performances under the banner of "modern art." Figures like Bijan Saffari, Parviz Tanavoli, Kamran Diba, and Keyvan Khosrowani formed elitist circles such as Club Rasht 29, notorious for homosexuality, moral corruption, and open decadence—yet protected by the queen herself.

🗿 Even "artworks" such as Tanavoli’s infamous “Nothing” sculptures and obscene pieces installed in royal palaces reflected the regime’s nihilistic agenda: destroying Islamic values while parading Westernized "progress."

⚠️ Testimonies from insiders confirm that this cultural engineering was deliberate: a systematic effort to normalize moral corruption, sexual perversion, and spiritual emptiness under the guise of "artistic freedom."

💬 As martyr Seyyed Morteza Avini later observed:

"This was not spirituality—it was a pseudo-mysticism, mixing lust, alcohol, Western philosophy, and mockery of faith… all under royal patronage."

📚 Source: JS Center

#PahlaviCorruption #CulturalInvasion #MoralDecay #FarahPahlavi #Rasht29

✅ @rahyafte_en

🎬 Persian Cinema after the Revolution – The Bitter Pill of “Shokaran”
✍️ Seyyed Vesal Mahdavi

📜 Before the 1979 Islamic Revolution, Iranian audiences labeled any local movie filled with dance, music, and sexual content as Film-Farsi or even stew-pot movies—symbols of cheap, immoral cinema under the Pahlavi monarchy.

⚔️ After the Revolution, for nearly a decade, cinema turned away from taboo-breaking. Instead, it focused on sacrifice, spirituality, and the Sacred Defense genre, producing iconic films such as Flight at Night and The Scout. This era rebuilt trust between people and cinema.

💡 But from the early 1990s, taboo-breaking returned—not through foreign cultural infiltration, but via domestic cultural managers who either lacked vision or encouraged liberal reforms.

🎥 The turning point came with films such as:

The Bride (1990) – romanticizing weddings during wartime.

Gift of India (1994) – reintroducing dance on screen.

The Actor (1994) – undermining Islamic hijab norms.

Snowman (1995) – crossing lines with gender change & erotic art.

The Wrong Man (1997) – normalizing heavy makeup & seduction.

🔥 Finally, Shokaran (1999), directed by Behrouz Afkhami, shattered the biggest taboo by openly addressing temporary marriage and betrayal. Despite protests from cultural groups and nurses’ associations, the film was strongly supported by cultural officials, became the top box-office hit of the year, and was even praised by critics as one of Iran’s “greatest” films.

⚠️ This marked a dangerous shift: betrayal turned into a fashionable and recurring theme in Iranian social cinema. The film paved the way for works like Red (1999), where treachery became central to the plot.

👉 The case of Shohkran shows how cultural hegemony can be imposed not only by foreign powers, but from within—through taboo-breaking legitimized by state-linked filmmakers.

🔗 Full Article (JS Center): Read Here

#Cinema 🎥 #Iran 🇮🇷 #TabooBreaking 🚫 #Shokaran #CulturalInvasion 🌍

✅ @rahyafte_en

🕎 The Rabbi Who Owns the World’s Largest Porn Empire
https://jscenter.ir/jewish-and-corruption/prostitution/21379

🌍 Few people know that behind the massive global pornography industry, which destroys families and corrupts societies, stands a Jewish billionaire — a Rabbi by title — who owns the largest pornography network on earth, including the infamous Pornhub website.

💰 Pornhub, founded under the umbrella of MindGeek, has long been accused of human trafficking, child exploitation, and moral destruction. Yet few ask: Who built and runs this empire of immorality?

📜 According to investigations, the financial and ideological roots of this industry are deeply tied to Zionist networks that see pornography not just as a business, but as a psychological weapon — one that weakens moral foundations and distracts nations from justice and spirituality.

🔯 In Jewish Talmudic thought, sexuality is not treated as sacred intimacy but often distorted through mystical justifications. Many of the early promoters of pornographic cinema and media were of Jewish origin — not coincidentally, but as part of a cultural engineering project dating back to the early 20th century.

🚨 Today, these companies—led by Zionist businessmen under rabbinical endorsement—control billions in global revenue while hiding behind slogans like “freedom of expression.” Meanwhile, the moral fabric of nations continues to decay.

🧩 Behind every “click” and “view” on these platforms lies an agenda:
to enslave the human soul through pleasure and profit,
to erode faith, purity, and the concept of divine family.

📖 The truth is clear: The pornography empire is not just entertainment — it is a system of corruption designed to control minds.

#Zionism #Pornhub #MindGeek #MoralWar #JewishMedia #SpiritualCorruption #CulturalInvasion
🌐 @jew_media

✅ @rahyafte_en

“The tragedy of our time is not that people are forced — it’s that they choose their own chains.”

📚 Read more:
👉 JS Center – From “Halloween” to “It’s Their Own Doing!”

#Halloween #CulturalInvasion #MediaControl #Westernization #JScenter #CulturalIndustry #Awakening #ThinkBeforeYouCelebrate

✅ @rahyafte_en