📅 Daily Calendar

🌺 Today: Sunday
🌞 9 Shahrivar 1404 (Persian Solar)
☪️ 7 Rabi' al-Awwal 1447 (Islamic Lunar)
✝️ 31 August 2025 (Gregorian)
🕎 7 Elul 5785 (Hebrew)

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🌍 Gregorian Calendar Observances

1️⃣ Death of #John_Ford (1973)

· American film director, winner of 4 Academy Awards.
📚 Learn more:
📖 "John Ford: America’s Soft War Officer"
👉 https://jscenter.ir/slave-jews/muslim-zionism/20758

2️⃣ Death of #Diana (1997)

· First wife of Charles III, member of the British royal family.
📚 Learn more:
📖 "The Jewish Identity of the British Royal Family"
👉 https://jscenter.ir/other-topics/jewish-families/10002

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🗓 Important Note: This calendar only highlights events related to #Jewish influence in history.

💎 Official Pages of the Jewish Studies Think Tank:
👉 https://zil.ink/jscenter

✅ Jewish Studies Think Tank
🇮🇷👉 @jscenter

#History #JohnFord #PrincessDiana #BritishRoyalty #JewishInfluence #Conspiracy

✅ @rahyafte_en

🔴 "The Birth of a Nation" & John Ford: Cinema’s Capacity for Deception
How Hollywood Weaponized Film to Forge False Narratives

https://jscenter.ir/slave-jews/muslim-zionism/20758

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🎬 John Ford: The Mythmaker

· John Martin Feeney (1894–1973), aka John Ford, entered Hollywood at 20 and quickly became a legendary figure.
· Started as "Jack Ford" and gained fame through D.W. Griffith’s "The Birth of a Nation" (1915).
· Directed 112 films—still the most prolific director in cinema history.
· Won 4 Best Director Oscars (The Informer, The Grapes of Wrath, How Green Was My Valley, The Quiet Man).

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🎥 "The Birth of a Nation": A Racist Masterpiece

· Directed by D.W. Griffith, this silent film was:
· Funded by the Democratic Party and President Woodrow Wilson.
· Based on the novel The Clansman (1905), glorifying the Ku Klux Klan.
· A landmark in cinematic technique but also virulently racist.
· It proved cinema could be used for mass manipulation and historical falsification.

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⚫️ Cinema as a Tool of Deception

· Ford learned from Griffith that film could:
· Fabricate reality through light, movement, and music (later sound and color).
· Brainwash masses by blending "art," "industry," and "media."
· Serve liberalist agendas by promoting myths like the "American West."
· Ford’s Westerns (e.g., The Iron Horse, Stagecoach) became tools for:
· Whitewashing history
· Promoting American exceptionalism
· Marginalizing indigenous and non-white voices

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🤝 Ford’s Zionist Connections

· Ford strategically aligned with Jewish studio bosses who controlled Hollywood.
· Worked with influential figures like Thomas Edison and Thomas H. Ince.
· His career was built on understanding power dynamics between art, money, and propaganda.

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🎨 The Evolution of Cinematic Manipulation

· Ford pioneered the use of:
· Sound (1929’s The Black Watch)
· Color (1939’s Drums Along the Mohawk)
· His techniques influenced giants like Orson Welles, Ingmar Bergman, Scorsese, and Spielberg.

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⚔️ Ford as a "Soft War Officer"

· Ford was not just a director—he was a propaganda agent for:
· U.S. imperialism
· Zionist-led media narratives
· Liberal ideological expansion
· His Westerns reinforced colonialist myths and erased real history.

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📜 Conclusion

· John Ford exemplifies how cinema was weaponized to:
· Distort truth
· Promote racist ideologies
· Serve powerful elites
· His legacy is a warning: "Art" can be the most potent tool of deception.

📚 Source:
Jewish Studies Center

#JohnFord #BirthOfANation #Hollywood #Propaganda #Zionism #CinematicDeception #WhiteSupremacy

✅ @rahyafte_en

🎬 The Birth of a Lie: How Cinema Learned to Deceive
https://jscenter.ir/jews-and-the-media/jews-and-hollywood/20758

On the anniversary of cinema's creation, a look at its powerful—and often dark—potential.

The story of cinema is not just one of art and entertainment, but also of mass persuasion and historical forgery. A pivotal figure in unlocking this potential was John Ford, a legend whose career began with one of the most controversial films ever made.

🎞️ The Apprenticeship: "The Birth of a Nation" (1915)

Ford's breakthrough came with an honorary role in D.W. Griffith's "The Birth of a Nation." This film was a landmark in cinematic technique but also one of the most racist films in Hollywood history.

· It glorified the Ku Klux Klan and portrayed Black Americans as dangerous and inferior.
· It was a custom-ordered project, produced with the material and moral support of the Democratic Party and President Woodrow Wilson.
· Most importantly, it proved that cinema was not just an art or industry, but a powerful media tool capable of shaping beliefs, distorting history, and speaking to the masses through light, movement, and, later, sound.

For the young John Ford (then Jack Ford), this film was a masterclass. It showed him cinema's immense capacity for "lying" and especially for "forging history."

🤠 The Rise of a Mythmaker

Ford quickly understood the power and wealth equations in American cinema, then dominated by a influential Jewish community. He collaborated with pioneers like Thomas Edison and rose to direct 60 silent films in his first decade.

His key insights shaped his legendary career:

1. Embracing Sound (1929): He recognized the decline of silent film and the new power of "sound" to make media lies more believable.
2. Embracing Color (1939): He soon adopted Technicolor, further enhancing cinema's persuasive realism.
3. Mastering the Western: He became synonymous with the Western genre, which he used to its full potential. The Western, born from liberalist thought, has a unique ability to fabricate truths and create reality from falsehoods, pushing the media goals of the liberal system.

🏆 The "Soft Power Officer"

John Ford can be seen as a prime example of a "soft power officer."

· He directed a record 112 feature films, making him the most prolific director in world cinema.
· He won a record four Academy Awards for Best Director (The Informer, The Grapes of Wrath, How Green Was My Valley, The Quiet Man).
· He influenced giants like Orson Welles, Ingmar Bergman, Martin Scorsese, and Steven Spielberg.

His legacy is the full realization of cinema's triple function: not just as art or industry, but as a supremely effective mass media tool for storytelling and, as he learned early on, for strategic deception.

Source: Jewish Studies Center - "The Birth of a Nation and John Ford; Discovering Cinema's Capacity for Lying"

#CinemaHistory #Hollywood #JohnFord #Propaganda #MediaStudies #FilmAnalysis #TheBirthOfANation

✅ @rahyafte_en