Rahyafte (The Guided Ones)
📆 Daily Calendar 🌺 Today: Monday 🌞 12 Aban 1404 (Solar Hijri) ☪️ 12 Jumada al-Awwal 1447 (Lunar Hijri) ✝️ November 3, 2025 (Gregorian) 🕎 12 Cheshvan 5786 (Hebrew) 🌍 Solar Calendar Events ➖➖➖➖➖➖ ✍ Official recognition of the cursed Pahlavi dynasty by Britain…
🎬 Hiroshima, Nagasaki, and the Godzilla We Never Knew
📖 Based on research from JS Center:
👉 jscenter.ir/jews-and-the-media/jews-and-hollywood/14720
🕊 The Tragedy That Hollywood Silenced
The atomic bombings of Hiroshima and Nagasaki remain the first and only use of nuclear weapons by a government against a nation — a horrific act of genocide carried out by the United States of America.
Every American president since then has visited Japan and bowed before the memorial of the victims… yet not one — Republican or Democrat — has ever apologized.
International courts and human rights institutions have also remained silent, even as the world’s only nuclear war criminal continues to police others’ nuclear programs.
💥 The Birth of Godzilla — A Cry from Hiroshima
In the world of art and cinema, few works have truly captured Japan’s pain. But in 1954, Japanese filmmakers created a powerful symbol — Gojira (Godzilla) — a monster born not of myth, but of radiation and trauma.
His scarred, rough skin reflected the burned flesh of atomic survivors.
His rage symbolized the wrath of innocence betrayed.
And his story, a warning to humanity: If nuclear testing continues, new monsters will rise again.
During the years of U.S. occupation, when Japanese artists were forbidden from criticizing America, Tomoyuki Tanaka and Ishirō Honda created Godzilla as a secret protest — a metaphor for the devastation of Hiroshima and Nagasaki.
Honda himself had witnessed Hiroshima’s ruins on his return from the war, and the horror he saw became the emotional heart of the film.
🎞 When Hollywood Took Over
In 1956, when Godzilla reached America, Hollywood rewrote history.
All political messages were deleted — the bombings were no longer crimes, and America was no longer the aggressor.
By 1998, Hollywood went further: the monster was no longer born from U.S. nuclear testing, but from French experiments, turning America into the “victim” — and finally the “savior.”
In 2014, the distortion reached its peak. Nuclear weapons themselves became the heroes, the “solution” to the monster they once created.
☢️ The Message They Tried to Erase
Despite decades of censorship and narrative manipulation, Godzilla’s original message still roars through time:
🕯 Remember Hiroshima. Remember Nagasaki. Remember the Godzilla they tried to silence.
#Godzilla #Hiroshima #Nagasaki #HiddenHistory #Hollywood #NuclearWar #USWarCrimes #FilmHistory #JSCenter #MediaManipulation
✅ @rahyafte_en
📖 Based on research from JS Center:
👉 jscenter.ir/jews-and-the-media/jews-and-hollywood/14720
🕊 The Tragedy That Hollywood Silenced
The atomic bombings of Hiroshima and Nagasaki remain the first and only use of nuclear weapons by a government against a nation — a horrific act of genocide carried out by the United States of America.
Every American president since then has visited Japan and bowed before the memorial of the victims… yet not one — Republican or Democrat — has ever apologized.
International courts and human rights institutions have also remained silent, even as the world’s only nuclear war criminal continues to police others’ nuclear programs.
💥 The Birth of Godzilla — A Cry from Hiroshima
In the world of art and cinema, few works have truly captured Japan’s pain. But in 1954, Japanese filmmakers created a powerful symbol — Gojira (Godzilla) — a monster born not of myth, but of radiation and trauma.
His scarred, rough skin reflected the burned flesh of atomic survivors.
His rage symbolized the wrath of innocence betrayed.
And his story, a warning to humanity: If nuclear testing continues, new monsters will rise again.
During the years of U.S. occupation, when Japanese artists were forbidden from criticizing America, Tomoyuki Tanaka and Ishirō Honda created Godzilla as a secret protest — a metaphor for the devastation of Hiroshima and Nagasaki.
Honda himself had witnessed Hiroshima’s ruins on his return from the war, and the horror he saw became the emotional heart of the film.
🎞 When Hollywood Took Over
In 1956, when Godzilla reached America, Hollywood rewrote history.
All political messages were deleted — the bombings were no longer crimes, and America was no longer the aggressor.
By 1998, Hollywood went further: the monster was no longer born from U.S. nuclear testing, but from French experiments, turning America into the “victim” — and finally the “savior.”
In 2014, the distortion reached its peak. Nuclear weapons themselves became the heroes, the “solution” to the monster they once created.
☢️ The Message They Tried to Erase
Despite decades of censorship and narrative manipulation, Godzilla’s original message still roars through time:
“As long as nuclear powers exist, the possibility of new monsters — and the death of humanity — remains.”
🕯 Remember Hiroshima. Remember Nagasaki. Remember the Godzilla they tried to silence.
#Godzilla #Hiroshima #Nagasaki #HiddenHistory #Hollywood #NuclearWar #USWarCrimes #FilmHistory #JSCenter #MediaManipulation
✅ @rahyafte_en
اندیشکده مطالعات یهود | Jewish Studies Center
هیروشیما و ناکازاکی و گودزیلایی که نمیشناسیم! - اندیشکده مطالعات یهود | Jewish Studies Center
گودزیلا برای رساندن صدای درد و رنج مردم هیروشیما و ناکازاکی با تمام توان فریاد کشید، اما هالیوود او را تحریف کرد، به زنجیر کشید و تصاحب کرد!