Finally, the Kılıç Ali Paşa Hamam shows a successful case of holistic thinking, considering the building as a whole, rather than just assessing individual elements. Never veering away from scientific methodology and bringing together specialists of various scientific fields (art and architectural historians, archaeologists, chemists), the Kılıç Ali Paşa restoration has succeeded in exposing an original Sinan piece and has brought a delightful Ottoman monument into the contemporary cultural spotlight.
#restoration , #conversation , #revitalization , #turkey_hamam
#traditional_bath , #authentic , #integrity , #preserve , #sinan
#addition , #aesthetic_compatibility , #lighting , #interior
https://telegram.me/revitalization
#restoration , #conversation , #revitalization , #turkey_hamam
#traditional_bath , #authentic , #integrity , #preserve , #sinan
#addition , #aesthetic_compatibility , #lighting , #interior
https://telegram.me/revitalization
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NO.63.
THE POPULIST / BOMONTI BREWERY
LOCATION: TURKEY - ISTANBUL
DESIGNER: HAN TÜMERTEKIN
PROJECT YEAR: 2016
Graphic design: Marnich Associates, Lagranja Design
Abbandoned in 1991, the factory has been matter of discussion for long time, until a regeneration process started and the brewary turn into a cultural district, designed by Han Tumertekin.
Founded in 1902 by the Swiss Bomonti brother, this beer factory enbodies the first modern beer production plant in the Ottoman Empire and keeps. Painted mustard yellow with exposed red brickwork, the building stands as a castle in the old periphery of Istanbul and, as new units were added, it became a popular place with beer-drinking society until the 50s.
Almost 2.000 square meters of the very first Turkish brewery, released in Istanbul by the Bomonti brothers one hundred years ago, have been rehabilitated by the Spanish design firm Lagranja. Turned into a craft brewery and a large restaurant, The Populist aims to recall the disobedient atmosphere lead and created by the crowds against political issues.
THE POPULIST CONCEPT
Far from being just plain decoration, The Populist is made of a series of projects ranging from photography and graphic design to custom made furniture and fixtures. All of them weave a unique concept across the space within a political and social Turkish reality. Protest is reflected in a tangible and impressive aesthetic, friendly involving the beer consume. Inspired by the 20’ American Prohibition period, the creative concept shows up in walls, menus and napkins as powerful slogans, whether painted, glued or neon-light-made. A wide photography project portraying Istanbul’s multicultural citizens and several historical documents complete the show. Beyond graphic and photographic visual evidences, other elements have been designed in order to tie the space with its new narrative. Decorative lighting shaped as megaphones, bottles and even a giant megaphone sculpture inject realism and provides an immersive experience to the visitor.
THE SPACE
The three floors of the late XIX century factory are organised in six areas sharing the same hero: craft beer. To serve the cause each of them has its own personality, working as single spaces within a great unique complex. Right at the entrance 6 enormous high-raised beer tanks exhibited in a 2 ways glass box and a dj station set in an orange vintage Volkswagen van welcomes the beer drinker. The copper brewhouse and fermentation stainless steel tanks are the main focus of the second space which hosts the megaphone sculpture and an impressive traditional turquoise tile made bar counter too. Providing a lofty floor, an old dark brick and mortar tank is converted into an indoor balcony overlooking the “pide” oven based in the forth area. The ground level is connected with the first floor by an eight meter spanning spiral staircase which recreates a winter garden. Reminding a greenhouse crystal ceilings, exterior concrete and a variety of vegetation and outdoor furnitures create a cozy area besides a little music hall. We tried to modify the least the original walls and ceilings. Spots, creases and fissures remain at sight yet the improvements are radically new. We dressed the space with brand new clothes that although they just cover the minimum still remain eye-catching. After many years neglected, the renewed Bomonti factory aims to become Istanbul’s outstanding F&B complex. It is the first major built project in Turkey by Lagranja Design, a widely awarded design firm, founded in Barcelona in 2002 and already based in Hong Kong and Istanbul too, which is focused in interior and product design.
#Turkey , #factory , #interior , #lighting , #interior_design , #restaurant , #bar
@revitalization
THE POPULIST / BOMONTI BREWERY
LOCATION: TURKEY - ISTANBUL
DESIGNER: HAN TÜMERTEKIN
PROJECT YEAR: 2016
Graphic design: Marnich Associates, Lagranja Design
Abbandoned in 1991, the factory has been matter of discussion for long time, until a regeneration process started and the brewary turn into a cultural district, designed by Han Tumertekin.
Founded in 1902 by the Swiss Bomonti brother, this beer factory enbodies the first modern beer production plant in the Ottoman Empire and keeps. Painted mustard yellow with exposed red brickwork, the building stands as a castle in the old periphery of Istanbul and, as new units were added, it became a popular place with beer-drinking society until the 50s.
Almost 2.000 square meters of the very first Turkish brewery, released in Istanbul by the Bomonti brothers one hundred years ago, have been rehabilitated by the Spanish design firm Lagranja. Turned into a craft brewery and a large restaurant, The Populist aims to recall the disobedient atmosphere lead and created by the crowds against political issues.
THE POPULIST CONCEPT
Far from being just plain decoration, The Populist is made of a series of projects ranging from photography and graphic design to custom made furniture and fixtures. All of them weave a unique concept across the space within a political and social Turkish reality. Protest is reflected in a tangible and impressive aesthetic, friendly involving the beer consume. Inspired by the 20’ American Prohibition period, the creative concept shows up in walls, menus and napkins as powerful slogans, whether painted, glued or neon-light-made. A wide photography project portraying Istanbul’s multicultural citizens and several historical documents complete the show. Beyond graphic and photographic visual evidences, other elements have been designed in order to tie the space with its new narrative. Decorative lighting shaped as megaphones, bottles and even a giant megaphone sculpture inject realism and provides an immersive experience to the visitor.
THE SPACE
The three floors of the late XIX century factory are organised in six areas sharing the same hero: craft beer. To serve the cause each of them has its own personality, working as single spaces within a great unique complex. Right at the entrance 6 enormous high-raised beer tanks exhibited in a 2 ways glass box and a dj station set in an orange vintage Volkswagen van welcomes the beer drinker. The copper brewhouse and fermentation stainless steel tanks are the main focus of the second space which hosts the megaphone sculpture and an impressive traditional turquoise tile made bar counter too. Providing a lofty floor, an old dark brick and mortar tank is converted into an indoor balcony overlooking the “pide” oven based in the forth area. The ground level is connected with the first floor by an eight meter spanning spiral staircase which recreates a winter garden. Reminding a greenhouse crystal ceilings, exterior concrete and a variety of vegetation and outdoor furnitures create a cozy area besides a little music hall. We tried to modify the least the original walls and ceilings. Spots, creases and fissures remain at sight yet the improvements are radically new. We dressed the space with brand new clothes that although they just cover the minimum still remain eye-catching. After many years neglected, the renewed Bomonti factory aims to become Istanbul’s outstanding F&B complex. It is the first major built project in Turkey by Lagranja Design, a widely awarded design firm, founded in Barcelona in 2002 and already based in Hong Kong and Istanbul too, which is focused in interior and product design.
#Turkey , #factory , #interior , #lighting , #interior_design , #restaurant , #bar
@revitalization
The 18th century built Mosque of the Cooks is endowed with a wooden loge. The wooden porches of the kitchens’ service roads and the wooden ward structures have been removed in the framework of the 1920 renovations.
#Turkey , #museum , #interior_design , #kitchen , #palace
@revitalization
#Turkey , #museum , #interior_design , #kitchen , #palace
@revitalization
NO.136
The Museum Hotel Antakya / EAA – Emre Arolat Architecture
HOTELS, MUSEUM
•
ANTAKYA, TURKEY
• Architects: EAA - Emre Arolat Architecture
• Area: 34000 m²
• Year: 2019
• Manufacturers: AutoDesk, KEIM, Reynaers Aluminium, Häfele, Jotun, Vitra, SISECAM, Trimble
• Structural Engineering : Nodus Engineering
• Mechanical Engineering: Termomek Eng. & Besa Mech. Eng
• Electrical Engineering: HB Teknik Company
• Infrastructure: Proses Eng.
• Landscape: DS Architecture
• Façade Consultant: Axis Façade Istanbul,
• Wind Load Consultant : Alkazar Engineering & Consultancy,
• Acoustic : Danyal Karagozloglu
• Lighting : Studio Lighting Design
• Fire Consultant: Mustafa Ozgunler & Karina Design Services
• Building Survey, Documentation & Preservation Project Coordination : DS Architecture, M Project Architecture
• 3 D Scan Photogrammetric Documentation: Arc Tron GmbH
Perched Over 2,000-Year-Old Roman Mosaics and Ruins, This Hotel Takes a Bold Approach to Historic Preservation
Text description provided by the architects. Situated nearby the Saint Peter’s Church on Mount Starius in Antakya, that is claimed to have housed the first Christian congregation, the 199-room hotel is erected on a site of archaeological findings dating back to antiquity. The Museum Hotel Antakya pays homage to the amazing mosaics, baths, piazzas discovered during the first drills of the site and draws on the tensioned relationship of Archaeology and Architecture by intertwining the ancient and the modern.
An understanding of the unique context was a vital part of this project; becoming familiar with archaeological preservation, re-interpreting the architectural program of the -hotel typology- and making use of the modular building expertise made it possible to design a building that would fit within this place and to receive the approval of the Heritage Committee.
The structure and above all, the points of the structure were adapted according to the specific nods on the site where archaeological layers were washed off by a former riverbed. There are 66 composite columns, 120 cm in diameter, all interconnected into a steel grid to lift the rooms and common areas of the hotel off the ground.
The building can be considered at four different layers; the first being an open-air museum parkour at a level closest to the findings, the second the common public areas of the hotel; the lobby and the restaurant hovering over a scenery of the archaeological findings.
The third level is a cluster of prefab modules of hotel rooms and an open-air circulation which keeps the eye of the beholder on the exquisite landscape of mosaics all the time. Lastly, the canopy, which while protecting everything underneath, forms the ground for the Ballroom, Spa, Meeting Rooms and a Specialty Restaurant planned as pavilions and accompanied by tree filled courtyards as open communal areas with strong ties to the local context.
Taking inspiration from Antakya’s local history the project sought to meet two main objectives; one was to represent the amazing layers of civilizations in a way unprecedented; composed with the function of a hotel and the second was to make use of modern technologies along with more traditional materials in the interiors.
The building has a highly efficient passive ventilation system which eliminated the need for mechanical air conditioning in the circulation. Thanks to the omittance of the outer facade, air circulates freely between the footpaths and the rooms. The glass protective wall at the ground level was designed to harness the local prevailing winds and dust, keeping the archaeological findings safe.
#Turkey, #historic_site #museum , #hotel , #archeology , #ruin , #conservation, #extension , #excavation , #lighting , #interior_design , #mosaic
The Museum Hotel Antakya / EAA – Emre Arolat Architecture
HOTELS, MUSEUM
•
ANTAKYA, TURKEY
• Architects: EAA - Emre Arolat Architecture
• Area: 34000 m²
• Year: 2019
• Manufacturers: AutoDesk, KEIM, Reynaers Aluminium, Häfele, Jotun, Vitra, SISECAM, Trimble
• Structural Engineering : Nodus Engineering
• Mechanical Engineering: Termomek Eng. & Besa Mech. Eng
• Electrical Engineering: HB Teknik Company
• Infrastructure: Proses Eng.
• Landscape: DS Architecture
• Façade Consultant: Axis Façade Istanbul,
• Wind Load Consultant : Alkazar Engineering & Consultancy,
• Acoustic : Danyal Karagozloglu
• Lighting : Studio Lighting Design
• Fire Consultant: Mustafa Ozgunler & Karina Design Services
• Building Survey, Documentation & Preservation Project Coordination : DS Architecture, M Project Architecture
• 3 D Scan Photogrammetric Documentation: Arc Tron GmbH
Perched Over 2,000-Year-Old Roman Mosaics and Ruins, This Hotel Takes a Bold Approach to Historic Preservation
Text description provided by the architects. Situated nearby the Saint Peter’s Church on Mount Starius in Antakya, that is claimed to have housed the first Christian congregation, the 199-room hotel is erected on a site of archaeological findings dating back to antiquity. The Museum Hotel Antakya pays homage to the amazing mosaics, baths, piazzas discovered during the first drills of the site and draws on the tensioned relationship of Archaeology and Architecture by intertwining the ancient and the modern.
An understanding of the unique context was a vital part of this project; becoming familiar with archaeological preservation, re-interpreting the architectural program of the -hotel typology- and making use of the modular building expertise made it possible to design a building that would fit within this place and to receive the approval of the Heritage Committee.
The structure and above all, the points of the structure were adapted according to the specific nods on the site where archaeological layers were washed off by a former riverbed. There are 66 composite columns, 120 cm in diameter, all interconnected into a steel grid to lift the rooms and common areas of the hotel off the ground.
The building can be considered at four different layers; the first being an open-air museum parkour at a level closest to the findings, the second the common public areas of the hotel; the lobby and the restaurant hovering over a scenery of the archaeological findings.
The third level is a cluster of prefab modules of hotel rooms and an open-air circulation which keeps the eye of the beholder on the exquisite landscape of mosaics all the time. Lastly, the canopy, which while protecting everything underneath, forms the ground for the Ballroom, Spa, Meeting Rooms and a Specialty Restaurant planned as pavilions and accompanied by tree filled courtyards as open communal areas with strong ties to the local context.
Taking inspiration from Antakya’s local history the project sought to meet two main objectives; one was to represent the amazing layers of civilizations in a way unprecedented; composed with the function of a hotel and the second was to make use of modern technologies along with more traditional materials in the interiors.
The building has a highly efficient passive ventilation system which eliminated the need for mechanical air conditioning in the circulation. Thanks to the omittance of the outer facade, air circulates freely between the footpaths and the rooms. The glass protective wall at the ground level was designed to harness the local prevailing winds and dust, keeping the archaeological findings safe.
#Turkey, #historic_site #museum , #hotel , #archeology , #ruin , #conservation, #extension , #excavation , #lighting , #interior_design , #mosaic