NO.82.
Coal Drops Yard / Heatherwick Studio
• Lead designer: Heatherwick Studio
• Location: Kings Cross, Londres, United Kingdom
• Design Director: Thomas Heatherwick
• Project Leader: Tamsin Green
• Area: 100000.0 ft2
• Project Year: 2015-2018
King's Cross Coal Drops Yard
Coal Drops Yard is a vibrant new shopping district at the centre of King’s Cross, home to over 50 stores, restaurants and cafés, bringing together a community of like-minded brands in a reimagined set of historic buildings and arches directly adjacent to Granary Square and Regent’s Canal. Coal Drops Yard was originally established in 1850 to handle the eight million tonnes of coal delivered to the capital each year, and was latterly the location of nightclubs Bagley’s and The Cross. The area is now reopening, reinvented by the acclaimed Heatherwick Studio, which has interwoven a contemporary design with the surviving structures, streets and rich ironwork of the original Victorian coal drops.
Text description provided by the architects. Long-time resident of King’s Cross, the studio has reinvented two heritage rail buildings from the 1850s as a new shopping district with close to 60 units, fully opening up the site to the public for the first time.
The project is the first major building completion in London for Heatherwick Studio and one of several large-scale developments in the capital that the studio is currently working on. These include a new major building for Google in King’s Cross that is currently under construction and the transformation of Olympia London.
In 2014, the studio was commissioned by King’s Cross Central Limited Partnership to radically rethink the site. The pair of elongated Victorian coal drops was built to receive coal from Northern England for distribution around London by barge and cart. But over the years the ornate cast-iron and brick structures had become partially derelict, serving light industry, warehousing, and nightclubs before partial abandonment in the 1990s.
The challenge was to transform the dilapidated buildings and long, angular site into a lively retail district where the public could gather and circulate.
The design extends the inner gabled roofs of the warehouses to link the two viaducts and define the yard, as well as creating fluid patterns of circulation. The flowing roofs, supported by an entirely new and highly technical freestanding structure interlaced within the heritage fabric, rise up and stretch towards each other until they touch. This forms an entirely new floating upper storey, a large covered outdoor space and a central focus for the entire site.
The studio’s design celebrates the specific texture and history of the Victorian industrial buildings while creating 100,000 sq ft of new retail area, as well as significant public space. The units vary in size (ranging from 160 sq ft, 1300 sq ft, 2500 sq ft to over 20,000 sq ft), accommodating a wide range of established and emerging brands, alongside new restaurants, bars and cafes.
With entrances at both ends of the site and scattered along Stable Street, the yard will become a new permeable and distinctive public space, contributing to the wider transformation of King’s Cross as a vibrant place to live, work, relax and study.
Glass: Scope of work
- 565 m2 graduated “zig-zag” glass facade with 8 m high insulation glazing
- 120 m2 ribbon roof lights
- 200 m2 transom/mullion facades to railway building gable ends
- 80 m2 walkable glass floor
Innovations / Challenges
- Special glass mounting brackets to accommodate the movements and tolerances of the freely suspended connecting bridge aka “Kissing Point”
- High building physics requirements e.g. transparency of the “zig-zag” glazing
- Three-dimensionally curved sheet metal cladding, following the form of the building
- Extremely high level of technical design input as hardly any part of the façade is the same
- Parametric 3D BIM model, design phase
#UK , #shop , #restaurant , #extention , #interior_design , #industrial , #public_space
@revitalization
Coal Drops Yard / Heatherwick Studio
• Lead designer: Heatherwick Studio
• Location: Kings Cross, Londres, United Kingdom
• Design Director: Thomas Heatherwick
• Project Leader: Tamsin Green
• Area: 100000.0 ft2
• Project Year: 2015-2018
King's Cross Coal Drops Yard
Coal Drops Yard is a vibrant new shopping district at the centre of King’s Cross, home to over 50 stores, restaurants and cafés, bringing together a community of like-minded brands in a reimagined set of historic buildings and arches directly adjacent to Granary Square and Regent’s Canal. Coal Drops Yard was originally established in 1850 to handle the eight million tonnes of coal delivered to the capital each year, and was latterly the location of nightclubs Bagley’s and The Cross. The area is now reopening, reinvented by the acclaimed Heatherwick Studio, which has interwoven a contemporary design with the surviving structures, streets and rich ironwork of the original Victorian coal drops.
Text description provided by the architects. Long-time resident of King’s Cross, the studio has reinvented two heritage rail buildings from the 1850s as a new shopping district with close to 60 units, fully opening up the site to the public for the first time.
The project is the first major building completion in London for Heatherwick Studio and one of several large-scale developments in the capital that the studio is currently working on. These include a new major building for Google in King’s Cross that is currently under construction and the transformation of Olympia London.
In 2014, the studio was commissioned by King’s Cross Central Limited Partnership to radically rethink the site. The pair of elongated Victorian coal drops was built to receive coal from Northern England for distribution around London by barge and cart. But over the years the ornate cast-iron and brick structures had become partially derelict, serving light industry, warehousing, and nightclubs before partial abandonment in the 1990s.
The challenge was to transform the dilapidated buildings and long, angular site into a lively retail district where the public could gather and circulate.
The design extends the inner gabled roofs of the warehouses to link the two viaducts and define the yard, as well as creating fluid patterns of circulation. The flowing roofs, supported by an entirely new and highly technical freestanding structure interlaced within the heritage fabric, rise up and stretch towards each other until they touch. This forms an entirely new floating upper storey, a large covered outdoor space and a central focus for the entire site.
The studio’s design celebrates the specific texture and history of the Victorian industrial buildings while creating 100,000 sq ft of new retail area, as well as significant public space. The units vary in size (ranging from 160 sq ft, 1300 sq ft, 2500 sq ft to over 20,000 sq ft), accommodating a wide range of established and emerging brands, alongside new restaurants, bars and cafes.
With entrances at both ends of the site and scattered along Stable Street, the yard will become a new permeable and distinctive public space, contributing to the wider transformation of King’s Cross as a vibrant place to live, work, relax and study.
Glass: Scope of work
- 565 m2 graduated “zig-zag” glass facade with 8 m high insulation glazing
- 120 m2 ribbon roof lights
- 200 m2 transom/mullion facades to railway building gable ends
- 80 m2 walkable glass floor
Innovations / Challenges
- Special glass mounting brackets to accommodate the movements and tolerances of the freely suspended connecting bridge aka “Kissing Point”
- High building physics requirements e.g. transparency of the “zig-zag” glazing
- Three-dimensionally curved sheet metal cladding, following the form of the building
- Extremely high level of technical design input as hardly any part of the façade is the same
- Parametric 3D BIM model, design phase
#UK , #shop , #restaurant , #extention , #interior_design , #industrial , #public_space
@revitalization
NO.84.
EN / ARCHIEE
• Architects: ARCHIEE
• Location: 7 rue de condé 75006 Paris, France
• Lead Architects: Yusuke Kinoshita & Daisuke Sekine
• Branding: Canaria
• Client: TOW / EN
• Area: 150.0 m2
• Project Year: 2018
• Manufacturers: SLV
Text description provided by the architects.
Introduction
This project is the interior design of a boutique for a new Japanese cosmetic brand. An old 18th century building in the center of Paris was chosen as first shop. This brand sells around 100 types of cosmetic essence products and each customer can create an original product by mixing products. The name of the brand “en” literally means “Beauty” in Japanese.
Concepts
The Japanese phoneme “en” means not only “Beauty” but also “Circle” and “Connection”. The design concept is inspired by these three meanings of “en“.
-Circle-
As the existing venue has a long history and the quality of space, most of existing structural elements were preserved. But new partitions were created to meet the requirements of functions. All of the partitions are composed in circle forms to create soft rounded internal spaces, which are suitable for private uses as counseling, treatment, massage and essence blending. The internal surfaces of the circle spaces are finished in white to express a pure space.
-Connection-
The space cut off by the circle partitions connects all the required functions. This remaining space between the existing walls and the integrated circle partitions creates a geometrically curious form and an original circulation with an aesthetical experience. The customer cannot get into each service rooms directly, but must walk along a winding path toward the destination. This method that let the visitors walk along and enhance his expectation is typical Japanese way of hospitality, as in the traditional tea culture.
-Beauty-
The external surfaces of the circle partitions are finished in polished brass to bring a distorted and warm reflection. This beautiful expanded space creates the feeling for the visitor step into an elegant and extraordinary world.
Composition
The existing spaces were divided into 4 main rooms: 2 rooms with stone vaulted spaces in the basement and 2 rooms finished with white plaster on the ground floor. A different scale of circles is composed for each room to create a functional plan. Room1: the entrance and the boutique, Room2: the counseling and the treatment space, Room3: the hall and the massage space, Room4: the product gallery and the blending counter. By passing through each step, the customer gets deeply into the world of “en” beauty.
Display
The impressive point of this brand is to exhibit all its products. This reminds the excitement in a wine cellar. The display of products is inspired by the method of storage of French wineries. Each bottle is displayed separately with special lighting. The boxes for storage, which were made with Japanese paulownia wood, are also stacked and displayed to create a cellar atmosphere.
#France , #Japon , #shop, #store , #interior_design , #lighting , #stair
@revitalization
EN / ARCHIEE
• Architects: ARCHIEE
• Location: 7 rue de condé 75006 Paris, France
• Lead Architects: Yusuke Kinoshita & Daisuke Sekine
• Branding: Canaria
• Client: TOW / EN
• Area: 150.0 m2
• Project Year: 2018
• Manufacturers: SLV
Text description provided by the architects.
Introduction
This project is the interior design of a boutique for a new Japanese cosmetic brand. An old 18th century building in the center of Paris was chosen as first shop. This brand sells around 100 types of cosmetic essence products and each customer can create an original product by mixing products. The name of the brand “en” literally means “Beauty” in Japanese.
Concepts
The Japanese phoneme “en” means not only “Beauty” but also “Circle” and “Connection”. The design concept is inspired by these three meanings of “en“.
-Circle-
As the existing venue has a long history and the quality of space, most of existing structural elements were preserved. But new partitions were created to meet the requirements of functions. All of the partitions are composed in circle forms to create soft rounded internal spaces, which are suitable for private uses as counseling, treatment, massage and essence blending. The internal surfaces of the circle spaces are finished in white to express a pure space.
-Connection-
The space cut off by the circle partitions connects all the required functions. This remaining space between the existing walls and the integrated circle partitions creates a geometrically curious form and an original circulation with an aesthetical experience. The customer cannot get into each service rooms directly, but must walk along a winding path toward the destination. This method that let the visitors walk along and enhance his expectation is typical Japanese way of hospitality, as in the traditional tea culture.
-Beauty-
The external surfaces of the circle partitions are finished in polished brass to bring a distorted and warm reflection. This beautiful expanded space creates the feeling for the visitor step into an elegant and extraordinary world.
Composition
The existing spaces were divided into 4 main rooms: 2 rooms with stone vaulted spaces in the basement and 2 rooms finished with white plaster on the ground floor. A different scale of circles is composed for each room to create a functional plan. Room1: the entrance and the boutique, Room2: the counseling and the treatment space, Room3: the hall and the massage space, Room4: the product gallery and the blending counter. By passing through each step, the customer gets deeply into the world of “en” beauty.
Display
The impressive point of this brand is to exhibit all its products. This reminds the excitement in a wine cellar. The display of products is inspired by the method of storage of French wineries. Each bottle is displayed separately with special lighting. The boxes for storage, which were made with Japanese paulownia wood, are also stacked and displayed to create a cellar atmosphere.
#France , #Japon , #shop, #store , #interior_design , #lighting , #stair
@revitalization
NO.122
Library, Museum and Community Center ‘De Petrus’ / Molenaar&Bol&vanDillen Architects
LIBRARY, COMMUNITY CENTER, ADAPTIVE REUSE
•
VUGHT, THE NETHERLANDS
• Architects: Molenaar&Bol&vanDillen Architects
• Area: 3000.0 m²
• Year: 2018
• Location: Heuvel 2, 5261 EE Vught, The Netherlands
• Interior Architect: Jan David Hanrath
• Landscape Architecture: Houtman+Sander
• Contractor: M.P. Drijvers B.V.
• Restoration contractor: Nico de Bont
• Structural Engineer: H.J.G. Spierings
• Client: DePetrus B.V
After an extensive renovation the church, which dates from 1884, was redeveloped into a multifunctional centre containing a library and a museum but also a bar and shops.
All functions are blended into a large open space which is open to the public. The most striking element is the mezzanine floor. This distinctive element gives the church a new look fitting for its new function. The 500 m2 (5380 sq ft) floor accommodates additional functions such as a study area and meeting rooms. The first floor also houses technical facilities as heating, acoustic covering and lighting. The mezzanine is placed mainly in the aisles so the original spatial quality of the church is preserved. The first floor offers new and spectacular views of the church.
The bookshelves are placed on a rail system so they can be moved to the aisles of the church. In this setting the church can be used for large events several times a year. Because of this the church floor can be used in a highly flexible way, providing room for events on all scales as well as functioning as a library.
On the outside the church space is expanded. The mezzanine floor continues outside as the roof of four pavilions connected to the church. A restaurant is located in the garden pavilion on the south side of the church.
#The_Netherlands , #church, #library , #museum , #lighting , #shop , #interior_design
@revitalization
Library, Museum and Community Center ‘De Petrus’ / Molenaar&Bol&vanDillen Architects
LIBRARY, COMMUNITY CENTER, ADAPTIVE REUSE
•
VUGHT, THE NETHERLANDS
• Architects: Molenaar&Bol&vanDillen Architects
• Area: 3000.0 m²
• Year: 2018
• Location: Heuvel 2, 5261 EE Vught, The Netherlands
• Interior Architect: Jan David Hanrath
• Landscape Architecture: Houtman+Sander
• Contractor: M.P. Drijvers B.V.
• Restoration contractor: Nico de Bont
• Structural Engineer: H.J.G. Spierings
• Client: DePetrus B.V
After an extensive renovation the church, which dates from 1884, was redeveloped into a multifunctional centre containing a library and a museum but also a bar and shops.
All functions are blended into a large open space which is open to the public. The most striking element is the mezzanine floor. This distinctive element gives the church a new look fitting for its new function. The 500 m2 (5380 sq ft) floor accommodates additional functions such as a study area and meeting rooms. The first floor also houses technical facilities as heating, acoustic covering and lighting. The mezzanine is placed mainly in the aisles so the original spatial quality of the church is preserved. The first floor offers new and spectacular views of the church.
The bookshelves are placed on a rail system so they can be moved to the aisles of the church. In this setting the church can be used for large events several times a year. Because of this the church floor can be used in a highly flexible way, providing room for events on all scales as well as functioning as a library.
On the outside the church space is expanded. The mezzanine floor continues outside as the roof of four pavilions connected to the church. A restaurant is located in the garden pavilion on the south side of the church.
#The_Netherlands , #church, #library , #museum , #lighting , #shop , #interior_design
@revitalization
NO.174
صرافی صدیقی / استودیو مورفَکت Morphact
نام پروژه:صرافی صدیقی
آدرس: شیراز- خیابان زند – ابتدای خیابان سعدی
نام شرکت مشاور و یا دفتر معماری: مورفَکت (Morphact)
معمارمسئول: محمد فرجام
تاریخ شروع و اتمام طراحی: اسفند ۱۳۹۶-اردیبهشت۱۳۹۷
تاریخ شروع و اتمام اجرا: اردیبهشت ۱۳۹۷-بهمن ۱۳۹۸
مساحت طبقه همکف: ۳۲ متر مربع – ۱۳ متر مربع بالکن
مساحت کل ساخته شده:۴۵ متر مربع
نوع ساختمان: تجاری
شرکت سازنده/ اجرا : مورفَکت (Morphact)
مدیر اجرایی پروژه: محمد فرجام
طراح سه بعدی: محمد فرجام
گرافیست: سعید قاسمی – کیانا بابایی
متریال های اصلی: آجر – چوب
کارفرما:طیب صدیقی
این بنا در دورهی اول پهلوی و با استفاده از معماری اصیل ایرانی و الگوهای رایج در سال ۱۳۱۰ ساخته شده است که در سال ۱۳۸۲ در فهرست آثار ملی ایران به ثبت رسیده است. در طراحی این پروژه در مرحله نخست، قدمت بنا و تاریخی بودن آن مورد اهمیت قرار گرفت و به این گونه با نگه داشتن اصالت بنا مرمت در اولویت قرار گرفت.
در مرحله بعد طراحی نسبت به نیازهای موجود در فضا و دسترسیها نسبت به کاربری فضا که فوقالعاده امنیتی میبود در نظر گرفته شد. دیوارههای فلزی و بتنی در پوسته بنا برای ایجاد امنیت فضا بدون هیچ آسیبی به بنا به وجود آمد.
روند طراحی:
حل دسترسی ها و دیاگرام فضایی و مشخص کردن ابعاد و اندازه نسبت به کاربری هر فضا به اینگونه شکل گرفت.
1. تعریف ورودی
2. فضای انتظار
3. فضای پیشخوان
4. دسترسی به طبقات
5. اتاق کنترل و خزانه
6. مدیریت
اضافه کردن فضاهایی به صورت الحاقی با استفاده از معماری وضع موجود؛ در نیم طبقه بالا نسبت به معماری آن بنا و در نظر گرفتن متریالهای موجود فضای سرویس بهداشتی ایجاد گردید.
طراحی و ایده پردازی با استفاده از قوسها و چیدمان آجرها به صورتی که بتوانیم فضا را دوباره احیا کنیم شروع شد. شکل گرفتن فرم و حجم هر فضا نسبت به کاربری و ایده پردازی اولیه در طراحی پروژه صورت گرفت. ایدهپردازی به این گونه شکل گرفت که چیدمان آجر از یک پارامتر پیروی میکند و در طراحی پیشخوان از این پارامتر استفاده شد. فرم این پیشخوان در قالب یک حجم پارامتریک طراحی شد.
#Iran, #exchange, #shop, #interior_design, #lighting, #صرافی #شیراز
@revitalization
صرافی صدیقی / استودیو مورفَکت Morphact
نام پروژه:صرافی صدیقی
آدرس: شیراز- خیابان زند – ابتدای خیابان سعدی
نام شرکت مشاور و یا دفتر معماری: مورفَکت (Morphact)
معمارمسئول: محمد فرجام
تاریخ شروع و اتمام طراحی: اسفند ۱۳۹۶-اردیبهشت۱۳۹۷
تاریخ شروع و اتمام اجرا: اردیبهشت ۱۳۹۷-بهمن ۱۳۹۸
مساحت طبقه همکف: ۳۲ متر مربع – ۱۳ متر مربع بالکن
مساحت کل ساخته شده:۴۵ متر مربع
نوع ساختمان: تجاری
شرکت سازنده/ اجرا : مورفَکت (Morphact)
مدیر اجرایی پروژه: محمد فرجام
طراح سه بعدی: محمد فرجام
گرافیست: سعید قاسمی – کیانا بابایی
متریال های اصلی: آجر – چوب
کارفرما:طیب صدیقی
این بنا در دورهی اول پهلوی و با استفاده از معماری اصیل ایرانی و الگوهای رایج در سال ۱۳۱۰ ساخته شده است که در سال ۱۳۸۲ در فهرست آثار ملی ایران به ثبت رسیده است. در طراحی این پروژه در مرحله نخست، قدمت بنا و تاریخی بودن آن مورد اهمیت قرار گرفت و به این گونه با نگه داشتن اصالت بنا مرمت در اولویت قرار گرفت.
در مرحله بعد طراحی نسبت به نیازهای موجود در فضا و دسترسیها نسبت به کاربری فضا که فوقالعاده امنیتی میبود در نظر گرفته شد. دیوارههای فلزی و بتنی در پوسته بنا برای ایجاد امنیت فضا بدون هیچ آسیبی به بنا به وجود آمد.
روند طراحی:
حل دسترسی ها و دیاگرام فضایی و مشخص کردن ابعاد و اندازه نسبت به کاربری هر فضا به اینگونه شکل گرفت.
1. تعریف ورودی
2. فضای انتظار
3. فضای پیشخوان
4. دسترسی به طبقات
5. اتاق کنترل و خزانه
6. مدیریت
اضافه کردن فضاهایی به صورت الحاقی با استفاده از معماری وضع موجود؛ در نیم طبقه بالا نسبت به معماری آن بنا و در نظر گرفتن متریالهای موجود فضای سرویس بهداشتی ایجاد گردید.
طراحی و ایده پردازی با استفاده از قوسها و چیدمان آجرها به صورتی که بتوانیم فضا را دوباره احیا کنیم شروع شد. شکل گرفتن فرم و حجم هر فضا نسبت به کاربری و ایده پردازی اولیه در طراحی پروژه صورت گرفت. ایدهپردازی به این گونه شکل گرفت که چیدمان آجر از یک پارامتر پیروی میکند و در طراحی پیشخوان از این پارامتر استفاده شد. فرم این پیشخوان در قالب یک حجم پارامتریک طراحی شد.
#Iran, #exchange, #shop, #interior_design, #lighting, #صرافی #شیراز
@revitalization