NO.10.
Restaurant 'The Jane' Antwerp, Belgium , 2014
•Architects: Piet Boon
•Location: Paradeplein, 2018 Antwerp, Belgium
•Windows : Studio Job
•Chandelier: .PSLAB
•Project Year: 2014
From the architect. Michelin-star chef Sergio Herman and chef Nick Bril created their “fine dining meets rock ’n roll” restaurant vision together with Piet Boon over three years ago in a mythical location in Antwerp; the chapel of a former military hospital. Piet Boon Studio, responsible for the interior design and styling of The Jane, since then collaborated in the chapel’s unique transformation into a high-end, contemporary restaurant with international allure where experience is key.
Based on her belief in authenticity, functionality and materials that ‘age beautifully’ the studio chose to restore only the highly necessary in the chapel and hence preserve the rest. The original ceiling amongst others conveys the pure, understated and respectful environment that serves as the authentic host for the ultimate fine dining experience. The original altar gave way to the kitchen that - just like the atelier- is embraced by glass, like a modern shrine. It allows guests to witness everything the team creates for them.
The shared passion of Herman, Bril and Boon to work with pure, rich materials is expressed in the interior in which qualitatively outstanding natural stone, leather and oak wood are used. Moreover Piet Boon Studio, as with many of her projects, collaborated with a number of leading creative partners to shape the “fine dining meets rock ’n roll” character of the overall experience.
Job Smeets and Nynke Tynagel of Studio Job designed the windows consisting of 500 unique panels. Inspired by the chapel’s original function, foam spatulas, sunflowers, devils, skulls, babies, Jezus on the cross, dice, apple cores, wrenches, ice cream cones, a canon, croissants, penguins, trophies, gas masks and birthday cakes portray a contemporary translation of the old stained-glass windows. Archetypes from various worlds each tell masterpiece stories of good and evil, rich and poor, life and death as well as good food and religion.
The ‘piece de résistance’ in the center of the restaurant is a 800 kilograms-weighing gigantic chandelier of 12 by 9 meters with over 150 lights, designed by the Beirut-based design studio .PSLAB. The chandelier was created in such a way that it contributes to the intimate and ambient divinity of the chapel interior. The team, specialised in the design and production of site-specific contemporary lighting, laid out an overall lighting plan for The Jane to accentuate the unique elements of both the building and the interior. It is aimed to create a scenic ambience by seamlessly combining artistry and engineering.
#chapel , #interior_design , #restoration , #compatible_use , #lighting
#preservation , #restaurant , #revitalization , #adaptive_reuse
https://telegram.me/revitalization
Restaurant 'The Jane' Antwerp, Belgium , 2014
•Architects: Piet Boon
•Location: Paradeplein, 2018 Antwerp, Belgium
•Windows : Studio Job
•Chandelier: .PSLAB
•Project Year: 2014
From the architect. Michelin-star chef Sergio Herman and chef Nick Bril created their “fine dining meets rock ’n roll” restaurant vision together with Piet Boon over three years ago in a mythical location in Antwerp; the chapel of a former military hospital. Piet Boon Studio, responsible for the interior design and styling of The Jane, since then collaborated in the chapel’s unique transformation into a high-end, contemporary restaurant with international allure where experience is key.
Based on her belief in authenticity, functionality and materials that ‘age beautifully’ the studio chose to restore only the highly necessary in the chapel and hence preserve the rest. The original ceiling amongst others conveys the pure, understated and respectful environment that serves as the authentic host for the ultimate fine dining experience. The original altar gave way to the kitchen that - just like the atelier- is embraced by glass, like a modern shrine. It allows guests to witness everything the team creates for them.
The shared passion of Herman, Bril and Boon to work with pure, rich materials is expressed in the interior in which qualitatively outstanding natural stone, leather and oak wood are used. Moreover Piet Boon Studio, as with many of her projects, collaborated with a number of leading creative partners to shape the “fine dining meets rock ’n roll” character of the overall experience.
Job Smeets and Nynke Tynagel of Studio Job designed the windows consisting of 500 unique panels. Inspired by the chapel’s original function, foam spatulas, sunflowers, devils, skulls, babies, Jezus on the cross, dice, apple cores, wrenches, ice cream cones, a canon, croissants, penguins, trophies, gas masks and birthday cakes portray a contemporary translation of the old stained-glass windows. Archetypes from various worlds each tell masterpiece stories of good and evil, rich and poor, life and death as well as good food and religion.
The ‘piece de résistance’ in the center of the restaurant is a 800 kilograms-weighing gigantic chandelier of 12 by 9 meters with over 150 lights, designed by the Beirut-based design studio .PSLAB. The chandelier was created in such a way that it contributes to the intimate and ambient divinity of the chapel interior. The team, specialised in the design and production of site-specific contemporary lighting, laid out an overall lighting plan for The Jane to accentuate the unique elements of both the building and the interior. It is aimed to create a scenic ambience by seamlessly combining artistry and engineering.
#chapel , #interior_design , #restoration , #compatible_use , #lighting
#preservation , #restaurant , #revitalization , #adaptive_reuse
https://telegram.me/revitalization
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NO.78.
Outdoor Altar in the Prayer Area of Fatima / Paula Santos
• Architects: Paula Santos
• Location: Fátima, 2495 Fátima, Portugal
• Project Year: 2016
client: Santuário de Fátima
The Centenary of the Apparitions of Fatima and the visit of the Pope Francisco on the 13th of May 2017, justified the project and the construction of the new Outdoor Altar in the Prayer Area of Fatima, a permanent work for outdoor ceremonies.
The exterior Outdoor Altar includes in the lower floor a Sacristy, a Chapel of the Sacred Reserve and support areas for the priests.
The project also allowed the mobility for the disabled to the old Basilica, the improvement of the existing colonnades and the redesign of the staircase to access all religious structures.
A fiberglass cover coated on both sides was studied by the team project with INEGI. The cover has 600 m2 of suspended area, supported only by a block of white concrete within which are all technical and vertical accesses.
The building's architecture has the intervention of Filip Moroder for the Image of Christ, João Mendes Ribeiro for the liturgical places and Fernanda Fragateiro for the sculpture Matéria Espiritual.
The architectural intervention has a grand scenographic importance in a sacred place and we intended it to result sublime and harmonious in the vast praying square.
Prayer Area
The Prayer Area is a large square, bordered by leafy trees in northern and southern sides and outlined in eastern and western sides by the Basilica of Our Lady of the Rosary of Fatima and the Basilica of the Holy Trinity, respectively. It is a place that invites us to interiority and prayer and brings together large assemblies during celebrations.
The new presbytery, dedicated on May 2016, can be used by a total of 120 concelebrants and is the project of the greek architect Alexandros Tombazis, the very same designer of the Basilica of the Most Holy Trinity.
Its construction, which lasted for more than one year, included the building of a second underground floor, mainly intended to support services, Tabernacle and Sacristy. It has direct access to the presbytery floor by stairways and by lift.
The new presbytery is now closer to the Prayer Area, which meant a reformulation of the staircases, keeping the same time of limestone used in the Shrine.
#Portugal , #chapel , #outdoor , #religious_place , #fiberglass , #square
@revitalization
Outdoor Altar in the Prayer Area of Fatima / Paula Santos
• Architects: Paula Santos
• Location: Fátima, 2495 Fátima, Portugal
• Project Year: 2016
client: Santuário de Fátima
The Centenary of the Apparitions of Fatima and the visit of the Pope Francisco on the 13th of May 2017, justified the project and the construction of the new Outdoor Altar in the Prayer Area of Fatima, a permanent work for outdoor ceremonies.
The exterior Outdoor Altar includes in the lower floor a Sacristy, a Chapel of the Sacred Reserve and support areas for the priests.
The project also allowed the mobility for the disabled to the old Basilica, the improvement of the existing colonnades and the redesign of the staircase to access all religious structures.
A fiberglass cover coated on both sides was studied by the team project with INEGI. The cover has 600 m2 of suspended area, supported only by a block of white concrete within which are all technical and vertical accesses.
The building's architecture has the intervention of Filip Moroder for the Image of Christ, João Mendes Ribeiro for the liturgical places and Fernanda Fragateiro for the sculpture Matéria Espiritual.
The architectural intervention has a grand scenographic importance in a sacred place and we intended it to result sublime and harmonious in the vast praying square.
Prayer Area
The Prayer Area is a large square, bordered by leafy trees in northern and southern sides and outlined in eastern and western sides by the Basilica of Our Lady of the Rosary of Fatima and the Basilica of the Holy Trinity, respectively. It is a place that invites us to interiority and prayer and brings together large assemblies during celebrations.
The new presbytery, dedicated on May 2016, can be used by a total of 120 concelebrants and is the project of the greek architect Alexandros Tombazis, the very same designer of the Basilica of the Most Holy Trinity.
Its construction, which lasted for more than one year, included the building of a second underground floor, mainly intended to support services, Tabernacle and Sacristy. It has direct access to the presbytery floor by stairways and by lift.
The new presbytery is now closer to the Prayer Area, which meant a reformulation of the staircases, keeping the same time of limestone used in the Shrine.
#Portugal , #chapel , #outdoor , #religious_place , #fiberglass , #square
@revitalization
NO.101.
The Waterdog / Klaarchitectuur
OFFICES, ADAPTIVE REUSE, OFFICES INTERIORS
•
SINT-TRUIDEN, BELGIUM
• Architects: Klaarchitectuur
• Area:300.0 m²
• Year:2016
• Manufacturers: Flos, MDF Italia
Klaarchitectuur architectural firm recently moved from its practice in Heers to the 16th century chapel De Waterhond in Sint-Truiden. The protected monument underwent a thorough renovation and now combines the old character of the original building with the modern additions of architect Gregory Nijs. The four boxes stacked on top of each other, which serve, among other things, as an office and meeting room, are the biggest eye-catchers.
The chapel dates from the 16 th century. The original function of the building is not entirely clear. It is originally dated as a barn, but because of the luxurious details that the building has, some sources claim that it may have been a residential home. It's certain is that in the 19 e a choir was built centuries which made the building since then as a chapel.
Halfway through the 20th century, the chapel was transformed into a peace court, after which it also served as a music and drawing academy. Finally, a local theater group used the building as a rehearsal room. The building has been vacant for the past 50 years. It has changed ownership several times, but they have never implemented their plans for the building.
Due to the neglect of previous owners, much of the chapel has been lost. Yet the building now gives back the experience of the past. The original oak roof structure with the gate arch and its shingles are reminiscent of the barn. The decorative columns, the arched windows and the only arched vault in the choir remind us of the chapel. The necessary fresco drawings still give the building the sacred atmosphere of yesteryear.
The existing floor has been completely broken up to install floor heating. The original natural stones were then replaced in the original diagonal cross pattern. Because a large part of the old floor was already gone or broken, a parquet floor with a herringbone pattern was opted for in the choir room. In that room there is a kitchen block in brass, which together with the kitchen appliances processes the link to the altar in the form of a cross.
Furthermore, only the entrance door and the existing display case have been replaced and renewed. The old stained glass windows and the constructive outer shell of the building have not changed, which benefits the charm of the building. In the long term there are plans to restore the exterior facade.
The four sleek, stacked boxes on the right side of the building provide a pleasant contrast with the old character of the chapel and its open perception of the space. For architect Gregory Nijs it was a basic requirement to preserve the old feel of the building, but also to use the impressive height. Because comfort and space were needed for, among other things, the plumbing, a lift and office spaces, the idea arose from there to stack.
The stacking is arranged in a staggered manner, with the boxes standing over each other. A staircase complex around the boxes provides an extra experience. The terraces on every floor ensure a pleasant moment of rest. The inner space of the chapel is actually the outer space of the office.
The box on the ground floor contains the sanitary facilities, the elevator and the technical room. The first and second floors serve as office spaces. The reception and meeting room on the third floor is literally in the roof and offers a beautiful view of the oak trusses of the original roof structure, which extends floating beyond the roof.
Sustainability was also taken into account during the renovation work. The open part of the historic and also insulated building has underfloor heating on a condensing gas boiler. The insulated boxes, the work area of the architectural office, are equipped with a heat pump and with ventilation D.
#Belgium , #chapel , #extention , #stair , #interior_design , #lighting , #public_space , #office
@revitalization
The Waterdog / Klaarchitectuur
OFFICES, ADAPTIVE REUSE, OFFICES INTERIORS
•
SINT-TRUIDEN, BELGIUM
• Architects: Klaarchitectuur
• Area:300.0 m²
• Year:2016
• Manufacturers: Flos, MDF Italia
Klaarchitectuur architectural firm recently moved from its practice in Heers to the 16th century chapel De Waterhond in Sint-Truiden. The protected monument underwent a thorough renovation and now combines the old character of the original building with the modern additions of architect Gregory Nijs. The four boxes stacked on top of each other, which serve, among other things, as an office and meeting room, are the biggest eye-catchers.
The chapel dates from the 16 th century. The original function of the building is not entirely clear. It is originally dated as a barn, but because of the luxurious details that the building has, some sources claim that it may have been a residential home. It's certain is that in the 19 e a choir was built centuries which made the building since then as a chapel.
Halfway through the 20th century, the chapel was transformed into a peace court, after which it also served as a music and drawing academy. Finally, a local theater group used the building as a rehearsal room. The building has been vacant for the past 50 years. It has changed ownership several times, but they have never implemented their plans for the building.
Due to the neglect of previous owners, much of the chapel has been lost. Yet the building now gives back the experience of the past. The original oak roof structure with the gate arch and its shingles are reminiscent of the barn. The decorative columns, the arched windows and the only arched vault in the choir remind us of the chapel. The necessary fresco drawings still give the building the sacred atmosphere of yesteryear.
The existing floor has been completely broken up to install floor heating. The original natural stones were then replaced in the original diagonal cross pattern. Because a large part of the old floor was already gone or broken, a parquet floor with a herringbone pattern was opted for in the choir room. In that room there is a kitchen block in brass, which together with the kitchen appliances processes the link to the altar in the form of a cross.
Furthermore, only the entrance door and the existing display case have been replaced and renewed. The old stained glass windows and the constructive outer shell of the building have not changed, which benefits the charm of the building. In the long term there are plans to restore the exterior facade.
The four sleek, stacked boxes on the right side of the building provide a pleasant contrast with the old character of the chapel and its open perception of the space. For architect Gregory Nijs it was a basic requirement to preserve the old feel of the building, but also to use the impressive height. Because comfort and space were needed for, among other things, the plumbing, a lift and office spaces, the idea arose from there to stack.
The stacking is arranged in a staggered manner, with the boxes standing over each other. A staircase complex around the boxes provides an extra experience. The terraces on every floor ensure a pleasant moment of rest. The inner space of the chapel is actually the outer space of the office.
The box on the ground floor contains the sanitary facilities, the elevator and the technical room. The first and second floors serve as office spaces. The reception and meeting room on the third floor is literally in the roof and offers a beautiful view of the oak trusses of the original roof structure, which extends floating beyond the roof.
Sustainability was also taken into account during the renovation work. The open part of the historic and also insulated building has underfloor heating on a condensing gas boiler. The insulated boxes, the work area of the architectural office, are equipped with a heat pump and with ventilation D.
#Belgium , #chapel , #extention , #stair , #interior_design , #lighting , #public_space , #office
@revitalization