NO.17
The Forum, United State, 2015
•Architects; Studio 804
•Location; Lawrence, KS, United States
•Area; 3000.0 ft2
•Project Year; 2015
•Photographs; James Ewing Photography
•Manufacturers; DNP Denmark AS, DOW, Elkay, GAF, Krownlab, Oldcastle BuildingEnvelope, Pacific Woodtech, Sedia Systems, Tate Access Flooring, Tremco, Tremco Roofing
•Collaborators; Nathan Brown, Renee Brune, Krista Cummins, AJ Dolph, Nicolas Elster, Jordan Goss, Ken Grothman, Christine Harwood, Ian Heath, Sara Lichti, Michael McKay, Josh Ostermann, Tim Ostrander, Ben Peek, Alyssa Sandroff, Aaron Sirna, David Versteeg, Jonathan Wilde
The Forum, located in the Architecture department of University of Kansas, was designed and built by students to meet the United States Green Building Council's Leadership in Energy and Environmental Design standard, LEED v2009 NC Platinum. This is the most stringent new-construction certification for sustainable-design that was in use by the USGBC during the building construction. It marked Studio804's seventh consecutive LEED Platinum building with several other outstanding architectural features. It includes a unique positive displacement ventilation system. On mild days during the year, the natural ventilation mode shuts down both the primary and outdoor air system, and cross ventilation is used to draw in fresh air through the space.
The perimeter skin is made up of two separate walls of insulated glass, three-and-a-half feet apart. The space between them provides room for the cedar louvers. Motorized dampers are located at the top and the bottom of the outer layer which permit cool air to enter in the summer when open. The louvers are controlled by a rooftop weather station and are programmed to track the sun. The living wall of ferns and begonias provides additional acoustic control for the lecture space by absorbing and dissipating sound and is watered from the cistern.
The lush vegetation helps to improve indoor air quality by naturally filtering toxins in the air. Besides these, setting up the LED lights, PV panels, water reclamation and usage of recycling materials are the other great aspects of this building. The construction had begun with the demolition of an outdoor workshop on the south side of the Architecture building. The existing shed housing the electric services had to remain in continual operation. As a result, the addition was carefully built above the existing mechanical room, and this became the site for the new glass-enclosed 121-seat auditorium and a 'Jury room' with a big common space at the entry.
#extension , #environmental , #new_construction , #energy
#ventilation , #light , #interior
https://telegram.me/revitalization
The Forum, United State, 2015
•Architects; Studio 804
•Location; Lawrence, KS, United States
•Area; 3000.0 ft2
•Project Year; 2015
•Photographs; James Ewing Photography
•Manufacturers; DNP Denmark AS, DOW, Elkay, GAF, Krownlab, Oldcastle BuildingEnvelope, Pacific Woodtech, Sedia Systems, Tate Access Flooring, Tremco, Tremco Roofing
•Collaborators; Nathan Brown, Renee Brune, Krista Cummins, AJ Dolph, Nicolas Elster, Jordan Goss, Ken Grothman, Christine Harwood, Ian Heath, Sara Lichti, Michael McKay, Josh Ostermann, Tim Ostrander, Ben Peek, Alyssa Sandroff, Aaron Sirna, David Versteeg, Jonathan Wilde
The Forum, located in the Architecture department of University of Kansas, was designed and built by students to meet the United States Green Building Council's Leadership in Energy and Environmental Design standard, LEED v2009 NC Platinum. This is the most stringent new-construction certification for sustainable-design that was in use by the USGBC during the building construction. It marked Studio804's seventh consecutive LEED Platinum building with several other outstanding architectural features. It includes a unique positive displacement ventilation system. On mild days during the year, the natural ventilation mode shuts down both the primary and outdoor air system, and cross ventilation is used to draw in fresh air through the space.
The perimeter skin is made up of two separate walls of insulated glass, three-and-a-half feet apart. The space between them provides room for the cedar louvers. Motorized dampers are located at the top and the bottom of the outer layer which permit cool air to enter in the summer when open. The louvers are controlled by a rooftop weather station and are programmed to track the sun. The living wall of ferns and begonias provides additional acoustic control for the lecture space by absorbing and dissipating sound and is watered from the cistern.
The lush vegetation helps to improve indoor air quality by naturally filtering toxins in the air. Besides these, setting up the LED lights, PV panels, water reclamation and usage of recycling materials are the other great aspects of this building. The construction had begun with the demolition of an outdoor workshop on the south side of the Architecture building. The existing shed housing the electric services had to remain in continual operation. As a result, the addition was carefully built above the existing mechanical room, and this became the site for the new glass-enclosed 121-seat auditorium and a 'Jury room' with a big common space at the entry.
#extension , #environmental , #new_construction , #energy
#ventilation , #light , #interior
https://telegram.me/revitalization
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NO.151
Hastings Pier / dRMM
PUBLIC SPACE, PIER, REFURBISHMENT
•
HASTINGS, UNITED KINGDOM
• Architects: dRMM
• Area: 11720 m²
• Year: 2016
• Manufacturers: Roles Broderick Roofing
• Client: Hastings Pier Charity
• Cost Consultant: PT Projects
• Structural Engineer: Ramboll
• Service Engineer: Ramboll
• Cdm Coordinator: KMCS
• Joinery Company: Timber Craft UK
• Structural Clt Supplier: KLH
• Furniture: dRMM and Hastings & Bexhill Wood Recycling
Hastings Pier is a public pleasure pier in Hastings, East Sussex, England. Built in 1872 and enjoying its prime in the 1930s, it became a popular music venue in the 1960s. The structure suffered major storm damage in 1990, and was closed to the public for a time before closing completely in 2008, and 95% destroyed by a fire in 2010.
Hastings Pier Charity oversaw a rebuilding project, with the pier reopening on 27 April 2016. The redeveloped pier won the 2017 Stirling Prize for architecture
Text description provided by the architects. The 2010 destruction of Hastings Pier by fire was an oppor-tunity to redefine what a pier could be in the 21st century; transforming the shanty town of commer-cialism it was in the 20th century.
After local stakeholder consultation it was clear the Pier would be expected to host many different populist scenarios. dRMM’s re-design master-move was to create a strong, well-serviced platform that could support endless uses; from big-top circus to major music events, local fishing to international markets. In homage to conceptualist Cedric Price, users bring their own architecture to plug in and play.
This is the first phase of regeneration. Most of the work so far has been up to and including deck level. The HLF grant enabled extensive foundation and structural repairs covering fire, sea and storm dam-age (£9M). Further funding (£2.5M) facilitated two buildings, the first of which, the remaining derelict Victorian Pavilion, was transformed into an open-plan, fully-glazed restaurant. dRMM were responsi-ble for the exterior shell and cores; the interior fit-out was by tenant.
The new Visitor Centre is a cross-laminated timber structure, inventively clad in reclaimed decking. Replacing the weakest central section of the damaged pier, it offers adaptable space for events, exhi-bitions and education, with an elevated rooftop belvedere. Reclaimed timber deck furniture was de-signed by dRMM and Hastings & Bexhill Wood Recycling as part of a local employment initiative.
The pier is an extension of the promenade from which it projects; a large public open space. The expe-rience of free space and ‘walking on water’ is heightened by the optics of a louvred balustrade design and quality timber deck. The new pier is a catalyst for urban regeneration. It offers flexibility, material and functional sustainability, and an uninterrupted vista of the natural and built surroundings of the special seaside town of Hastings.
#UK , #pier , #fire , #visitor_centre , #event , #exhibition , #light ,#regeneration, #restaurant, #promenade , #open_air, #public_space , #landmark , #prize
@revitalization
Hastings Pier / dRMM
PUBLIC SPACE, PIER, REFURBISHMENT
•
HASTINGS, UNITED KINGDOM
• Architects: dRMM
• Area: 11720 m²
• Year: 2016
• Manufacturers: Roles Broderick Roofing
• Client: Hastings Pier Charity
• Cost Consultant: PT Projects
• Structural Engineer: Ramboll
• Service Engineer: Ramboll
• Cdm Coordinator: KMCS
• Joinery Company: Timber Craft UK
• Structural Clt Supplier: KLH
• Furniture: dRMM and Hastings & Bexhill Wood Recycling
Hastings Pier is a public pleasure pier in Hastings, East Sussex, England. Built in 1872 and enjoying its prime in the 1930s, it became a popular music venue in the 1960s. The structure suffered major storm damage in 1990, and was closed to the public for a time before closing completely in 2008, and 95% destroyed by a fire in 2010.
Hastings Pier Charity oversaw a rebuilding project, with the pier reopening on 27 April 2016. The redeveloped pier won the 2017 Stirling Prize for architecture
Text description provided by the architects. The 2010 destruction of Hastings Pier by fire was an oppor-tunity to redefine what a pier could be in the 21st century; transforming the shanty town of commer-cialism it was in the 20th century.
After local stakeholder consultation it was clear the Pier would be expected to host many different populist scenarios. dRMM’s re-design master-move was to create a strong, well-serviced platform that could support endless uses; from big-top circus to major music events, local fishing to international markets. In homage to conceptualist Cedric Price, users bring their own architecture to plug in and play.
This is the first phase of regeneration. Most of the work so far has been up to and including deck level. The HLF grant enabled extensive foundation and structural repairs covering fire, sea and storm dam-age (£9M). Further funding (£2.5M) facilitated two buildings, the first of which, the remaining derelict Victorian Pavilion, was transformed into an open-plan, fully-glazed restaurant. dRMM were responsi-ble for the exterior shell and cores; the interior fit-out was by tenant.
The new Visitor Centre is a cross-laminated timber structure, inventively clad in reclaimed decking. Replacing the weakest central section of the damaged pier, it offers adaptable space for events, exhi-bitions and education, with an elevated rooftop belvedere. Reclaimed timber deck furniture was de-signed by dRMM and Hastings & Bexhill Wood Recycling as part of a local employment initiative.
The pier is an extension of the promenade from which it projects; a large public open space. The expe-rience of free space and ‘walking on water’ is heightened by the optics of a louvred balustrade design and quality timber deck. The new pier is a catalyst for urban regeneration. It offers flexibility, material and functional sustainability, and an uninterrupted vista of the natural and built surroundings of the special seaside town of Hastings.
#UK , #pier , #fire , #visitor_centre , #event , #exhibition , #light ,#regeneration, #restaurant, #promenade , #open_air, #public_space , #landmark , #prize
@revitalization