💢An interview with Joanna Francis American journalist:
Q4. How did you get to know so much about #Islam and #Muslim Women?
✨As I mentioned earlier, I began researching the #Islamic world after 9/11 and I discovered that most of what we had been brainwashed into believing about #Muslims was not true. I also took the time to speak with Muslim #Americans about their views on #politics and their opinions about wearing Hijab, for example, and was surprised that most of the Muslim women with whom I spoke actually enjoyed wearing #Hijab and felt it was an #honor and mark of respect. I began to admire their #modesty and self-respect and I realized that any culture in which #women are modest and traditional is set up by Zionists to be liberalized. But not for the benefit of the #women as they say. Rather, to corrupt them and ultimately destroy their #culture and society. Breaking up the family is the surest way to ruin a society, and convincing women to become sexually promiscuous is not in the women's best interest.
@rahyafte_en
Q4. How did you get to know so much about #Islam and #Muslim Women?
✨As I mentioned earlier, I began researching the #Islamic world after 9/11 and I discovered that most of what we had been brainwashed into believing about #Muslims was not true. I also took the time to speak with Muslim #Americans about their views on #politics and their opinions about wearing Hijab, for example, and was surprised that most of the Muslim women with whom I spoke actually enjoyed wearing #Hijab and felt it was an #honor and mark of respect. I began to admire their #modesty and self-respect and I realized that any culture in which #women are modest and traditional is set up by Zionists to be liberalized. But not for the benefit of the #women as they say. Rather, to corrupt them and ultimately destroy their #culture and society. Breaking up the family is the surest way to ruin a society, and convincing women to become sexually promiscuous is not in the women's best interest.
@rahyafte_en
💫🌸💫
🌹 #Tomoko_Shimoyama, the newly #Muslim_Professor:
The #God_of_Shia is really kind & intimate with people. The significant benefit of Shia Islam is that it is justice-centered...
🍀 Rationalism and perfectionism are some characteristics of #Shia_Islam. The human free will is significant & valued in Shia Islam. It means that man can distinguish & opt right & false by his rationalism & free will. It is while other theoretical sects believe in determinism.
🌹 Another #benefit of #Shia_Islam is that it is justice-centered. Shia supports the oppressed & it can be found in Imam Hussein's Martyrdom culture.
🍀The #concept of #God in Shia and #Iran's #culture is different with other religions.
The God of Shia is really kind & intimate with people & presents every where.
💫🌸💫
🌐 @rahyafte_en
🌹 #Tomoko_Shimoyama, the newly #Muslim_Professor:
The #God_of_Shia is really kind & intimate with people. The significant benefit of Shia Islam is that it is justice-centered...
🍀 Rationalism and perfectionism are some characteristics of #Shia_Islam. The human free will is significant & valued in Shia Islam. It means that man can distinguish & opt right & false by his rationalism & free will. It is while other theoretical sects believe in determinism.
🌹 Another #benefit of #Shia_Islam is that it is justice-centered. Shia supports the oppressed & it can be found in Imam Hussein's Martyrdom culture.
🍀The #concept of #God in Shia and #Iran's #culture is different with other religions.
The God of Shia is really kind & intimate with people & presents every where.
💫🌸💫
🌐 @rahyafte_en
🎅 The Persian Roots of Santa Claus: A Forgotten History 🇮🇷
A fascinating look at the untold origins of Santa Claus, tracing back not to the North Pole, but to ancient Persia.
📖 Biblical & Historical Evidence:
· In the Gospel of Matthew, three wise men (Magi) visited the newborn Jesus, bringing gifts of gold, frankincense, and myrrh.
· Early Christian scholars like Tertullian identified these Magi as Persian Zoroastrians from the East—modern-day Iran.
· In Spanish tradition, they are still remembered as the "Three Kings" (Los Reyes Magos), preserving the original story of multiple gift-bearers.
🎁 The Symbolism of the Gifts:
· Gold – Symbolizing royalty and divine light in Zoroastrianism.
· Frankincense – A resin used to enhance wisdom and memory, praised by Avicenna (Ibn Sina).
· Myrrh – A sacred plant in Zoroastrian tradition, associated with Ahura Mazda.
🔄 From Three Persian Magi to One Santa:
Over time, the story was simplified in Western Christianity. The three Persian gift-givers were merged into a single figure—Father Christmas or Santa Claus—while their Iranian origins were gradually erased from popular tradition.
🔍 Why It Matters:
This isn’t just a historical curiosity. It’s a reminder of how cultures intertwine and how stories transform across time and borders. The beloved symbol of Christmas generosity has deep roots in Persian spirituality and Zoroastrian wisdom.
💬 Final Thought:
Next time you see Santa, remember the three Persian scholars who first followed a star to bring gifts—an ancient, cross-cultural act of reverence that still echoes in our celebrations today.
#History #Christmas #SantaClaus #PersianHistory #Zoroastrianism #Culture #Bible #ThreeWiseMen #Iran
https://t.me/rahyafte_com/70355
✅ @rahyafte_en
A fascinating look at the untold origins of Santa Claus, tracing back not to the North Pole, but to ancient Persia.
📖 Biblical & Historical Evidence:
· In the Gospel of Matthew, three wise men (Magi) visited the newborn Jesus, bringing gifts of gold, frankincense, and myrrh.
· Early Christian scholars like Tertullian identified these Magi as Persian Zoroastrians from the East—modern-day Iran.
· In Spanish tradition, they are still remembered as the "Three Kings" (Los Reyes Magos), preserving the original story of multiple gift-bearers.
🎁 The Symbolism of the Gifts:
· Gold – Symbolizing royalty and divine light in Zoroastrianism.
· Frankincense – A resin used to enhance wisdom and memory, praised by Avicenna (Ibn Sina).
· Myrrh – A sacred plant in Zoroastrian tradition, associated with Ahura Mazda.
🔄 From Three Persian Magi to One Santa:
Over time, the story was simplified in Western Christianity. The three Persian gift-givers were merged into a single figure—Father Christmas or Santa Claus—while their Iranian origins were gradually erased from popular tradition.
🔍 Why It Matters:
This isn’t just a historical curiosity. It’s a reminder of how cultures intertwine and how stories transform across time and borders. The beloved symbol of Christmas generosity has deep roots in Persian spirituality and Zoroastrian wisdom.
💬 Final Thought:
Next time you see Santa, remember the three Persian scholars who first followed a star to bring gifts—an ancient, cross-cultural act of reverence that still echoes in our celebrations today.
#History #Christmas #SantaClaus #PersianHistory #Zoroastrianism #Culture #Bible #ThreeWiseMen #Iran
https://t.me/rahyafte_com/70355
✅ @rahyafte_en
Telegram
رهیافته-(تازه مسلمانان)
ریشه بابانوئل ایرانی است
دکتر ابوالقاسم جعفری استاد دانشگاه توکیو
👇👇👇
💗ما رو به دوستان خود معرفی کنید.
کانال و سایت رهیافتگان را دنبال کنید👇
🌐 @rahyafte_com
لینک تلگرام
https://t.me/+pgT4TgbgqH43Y2I8
لینک ایتا
https://eitaa.com/joinchat/3085303808Ccb87cac80c…
دکتر ابوالقاسم جعفری استاد دانشگاه توکیو
👇👇👇
💗ما رو به دوستان خود معرفی کنید.
کانال و سایت رهیافتگان را دنبال کنید👇
🌐 @rahyafte_com
لینک تلگرام
https://t.me/+pgT4TgbgqH43Y2I8
لینک ایتا
https://eitaa.com/joinchat/3085303808Ccb87cac80c…
Rahyafte (The Guided Ones)
🎬 Apocalyptic Cinema: From the Death of God to Modern Salvation Myths https://jscenter.ir/jews-and-the-media/jews-and-hollywood/14049 On the anniversary of cinema, we explore how Hollywood's doomsday films reflect humanity's modern crisis of faith and its…
· Our anxiety about godless existence.
· Our ambivalent relationship with technology (both destroyer and savior).
· Our search for new redemption myths, often projecting them onto American techno-heroism.
Ultimately, these films ask the haunting question left over from the 19th century: In a world where we declared God dead, who or what will save us now?
Source: Jewish Studies Center - "A Study of Hollywood's Apocalyptic Cinema"
Based on the analysis of Dr. Majid Shahhosseini, film researcher and lecturer.
#ApocalypticCinema #Hollywood #FilmAnalysis #Philosophy #Armageddon #Aliens #Culture #EndOfTheWorld
✅ @rahyafte_en
· Our ambivalent relationship with technology (both destroyer and savior).
· Our search for new redemption myths, often projecting them onto American techno-heroism.
Ultimately, these films ask the haunting question left over from the 19th century: In a world where we declared God dead, who or what will save us now?
Source: Jewish Studies Center - "A Study of Hollywood's Apocalyptic Cinema"
Based on the analysis of Dr. Majid Shahhosseini, film researcher and lecturer.
#ApocalypticCinema #Hollywood #FilmAnalysis #Philosophy #Armageddon #Aliens #Culture #EndOfTheWorld
✅ @rahyafte_en
Rahyafte (The Guided Ones)
Stars & Systems: Allegations of Zionist Influence in Hollywood https://jscenter.ir/jews-and-the-media/jews-and-hollywood/4898 On the anniversary of cinema, a critical look at claims regarding the relationship between Zionism, Hollywood power, and international…
The Gradual Breaking of Taboos: From Global Cinema to Iran
https://jscenter.ir/slave-jews/muslim-zionism/8593
On the anniversary of cinema, an analysis of how taboos are broken step-by-step, altering a society's culture and lifestyle.
Every culture has its taboos—forbidden behaviors, words, or social matters rooted in religion, tradition, and collective values. The act of "breaking a taboo" is not inherently good or bad. Its morality depends on its target:
· Positive: Challenging irrational, superstitious taboos born from "blind obedience without thought."
· Negative & Invasive: Attacking taboos based on a society's practical, scientific, or deeply held religious experiences. This form is seen as cultural aggression, a cultural blitzkrieg, or cultural promiscuity, and is the primary function of cultural influence and soft war.
This discussion focuses on the second kind: orchestrated, staged taboo-breaking designed to reshape a society's identity and lifestyle.
🎞️ The Global Pattern: A Slippery Slope
Art history shows that breaking taboos is a never-ending line. Once a small taboo is broken, it paves the way for larger, related ones to fall in subsequent years. This is clearly visible in 20th-century cinema.
Early 20th-century cinema was largely respectable, often drawing from the Bible and aiming to guide audiences toward greater humanity (e.g., works by Alice Guy-Blaché, D.W. Griffith).
The shift began with the rise of human-centric, materialist ideologies (both left and right). A landmark moment was the 1933 Czechoslovak film "Ecstasy" (خلسه), directed by Gustav Machatý.
· It was the first major film to explicitly depict sexual acts on screen.
· It featured Jewish actress Hedy Lamarr in full nudity, including scenes of her running naked in a forest and a close-up simulating orgasm.
· Initially banned in the U.S. and elsewhere, it was re-released within seven years as censorship standards changed.
Thus, nudity was one of the first taboos to be slowly, incrementally broken, opening the floodgates for the pornography industry and guiding audiences toward a new "lifestyle."
⚖️ The Reaction: Rating Systems
This staged breaking of red lines eventually forced psychologists and sociologists to react. The demand for filtering content led to the creation of rating systems as a preliminary control mechanism.
The most widespread is the MPAA system (Motion Picture Association of America):
· G (General Audiences): All ages admitted.
· PG (Parental Guidance Suggested): Some material may not be suitable for children.
· PG-13 (Parents Strongly Cautioned): Some material may be inappropriate for children under 13 (introduced in 1984 for intense themes without explicit content).
· R (Restricted): Under 17 requires accompanying parent or guardian. Contains strong language, violence, sex, or drug use.
· NC-17 (Adults Only): No one 17 and under admitted. Clearly explicit sex, extreme violence, etc.
🇮🇷 The Iranian Context: Staged Taboo-Breaking
Cinema in Iran followed a similar path. From its earliest years, attracting audiences was based on the principle of taboo-breaking.
· Before the 1979 Revolution, this was driven by the overt and covert programs of dominant powers.
· After the Revolution, mismanagement by cinematic institutions has, critics argue, led the country's cultural and cinematic conditions toward a state of "cultural promiscuity."
The process is gradual and staged. Breaking one small cultural or religious taboo normalizes the act, creating space to break a larger one later. This systematic erosion is presented as a core strategy for long-term cultural change and identity transformation.
Source: Jewish Studies Center - "Staged Taboo-Breaking in Cinema (Part 1)"
#Cinema #Taboo #Culture #IranianCinema #Hollywood #MPAA #CulturalInfluence #HedyLamarr #Ecstasy
✅ @rahyafte_en
https://jscenter.ir/slave-jews/muslim-zionism/8593
On the anniversary of cinema, an analysis of how taboos are broken step-by-step, altering a society's culture and lifestyle.
Every culture has its taboos—forbidden behaviors, words, or social matters rooted in religion, tradition, and collective values. The act of "breaking a taboo" is not inherently good or bad. Its morality depends on its target:
· Positive: Challenging irrational, superstitious taboos born from "blind obedience without thought."
· Negative & Invasive: Attacking taboos based on a society's practical, scientific, or deeply held religious experiences. This form is seen as cultural aggression, a cultural blitzkrieg, or cultural promiscuity, and is the primary function of cultural influence and soft war.
This discussion focuses on the second kind: orchestrated, staged taboo-breaking designed to reshape a society's identity and lifestyle.
🎞️ The Global Pattern: A Slippery Slope
Art history shows that breaking taboos is a never-ending line. Once a small taboo is broken, it paves the way for larger, related ones to fall in subsequent years. This is clearly visible in 20th-century cinema.
Early 20th-century cinema was largely respectable, often drawing from the Bible and aiming to guide audiences toward greater humanity (e.g., works by Alice Guy-Blaché, D.W. Griffith).
The shift began with the rise of human-centric, materialist ideologies (both left and right). A landmark moment was the 1933 Czechoslovak film "Ecstasy" (خلسه), directed by Gustav Machatý.
· It was the first major film to explicitly depict sexual acts on screen.
· It featured Jewish actress Hedy Lamarr in full nudity, including scenes of her running naked in a forest and a close-up simulating orgasm.
· Initially banned in the U.S. and elsewhere, it was re-released within seven years as censorship standards changed.
Thus, nudity was one of the first taboos to be slowly, incrementally broken, opening the floodgates for the pornography industry and guiding audiences toward a new "lifestyle."
⚖️ The Reaction: Rating Systems
This staged breaking of red lines eventually forced psychologists and sociologists to react. The demand for filtering content led to the creation of rating systems as a preliminary control mechanism.
The most widespread is the MPAA system (Motion Picture Association of America):
· G (General Audiences): All ages admitted.
· PG (Parental Guidance Suggested): Some material may not be suitable for children.
· PG-13 (Parents Strongly Cautioned): Some material may be inappropriate for children under 13 (introduced in 1984 for intense themes without explicit content).
· R (Restricted): Under 17 requires accompanying parent or guardian. Contains strong language, violence, sex, or drug use.
· NC-17 (Adults Only): No one 17 and under admitted. Clearly explicit sex, extreme violence, etc.
🇮🇷 The Iranian Context: Staged Taboo-Breaking
Cinema in Iran followed a similar path. From its earliest years, attracting audiences was based on the principle of taboo-breaking.
· Before the 1979 Revolution, this was driven by the overt and covert programs of dominant powers.
· After the Revolution, mismanagement by cinematic institutions has, critics argue, led the country's cultural and cinematic conditions toward a state of "cultural promiscuity."
The process is gradual and staged. Breaking one small cultural or religious taboo normalizes the act, creating space to break a larger one later. This systematic erosion is presented as a core strategy for long-term cultural change and identity transformation.
Source: Jewish Studies Center - "Staged Taboo-Breaking in Cinema (Part 1)"
#Cinema #Taboo #Culture #IranianCinema #Hollywood #MPAA #CulturalInfluence #HedyLamarr #Ecstasy
✅ @rahyafte_en
Rahyafte (The Guided Ones)
📆 Daily Calendar 🌺 Today: Monday 🌞 4 Esfand 1404 HS | ☪️ 5 Ramadan 1447 AH | ✝️ 23 February 2026 AD | 🕎 6 Adar 5786 Hebrew --- 🌍 Western Historical Event of the Day: ✍ Founding of the #Rotary_Club (1905 AD) On this day, 121 years ago, a seemingly innocuous…
In 1978, at a global conference in Chicago, Rotary International made a formal decision to officially connect with Freemasonry—confirming what researchers had long suspected about the true nature of this "service club."
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🗓 Important Note:
This calendar focuses on events related to #Jewish history and its intersections with global power structures.
✅ Jewish Studies Center:
🇮🇷👉 @jscenter
#RotaryClub #Freemasonry #SecretSocieties #PaulHarris #Secularism #Globalism #EliteNetworks #JewishStudiesCenter #History #Politics #Culture
✅ @rahyafte_en
---
🗓 Important Note:
This calendar focuses on events related to #Jewish history and its intersections with global power structures.
✅ Jewish Studies Center:
🇮🇷👉 @jscenter
#RotaryClub #Freemasonry #SecretSocieties #PaulHarris #Secularism #Globalism #EliteNetworks #JewishStudiesCenter #History #Politics #Culture
✅ @rahyafte_en